“I learned the importance of the Bible and came to believe with all my heart in its full inspiration. It became a sword in my hand to break open the hearts of men, to direct them to the Lord Jesus Christ.”
“In actuality, it was like the homes of all people who are not really rich but who want to look
rich, and therefore end up looking like one another: it had damasks, ebony, plants, carpets,
and bronzes, everything dark and gleaming—all the effects a certain class of people produce
so as to look like people of a certain class. And his place looked so much like the others that it
would never have been noticed, though it all seemed quite exceptional to him.”
“I think my political transformation began with my exposure to the business-as-usual attitude of many civil service bureaucrats during the war; then came the attempted Communist take-over of the picture business, which a lot of my liberal friends refused to admit ever happened; next, I had a brief experience living in a country that promised the kind of womb-to-tomb utopian benevolence a lot of these liberal friends wanted to bring to America. In 1949, I spent four months in England filming The Hasty Heart while the Labor Party was in power. I saw firsthand how the welfare state sapped incentive to work from many people in a wonderful and dynamic country.”
“Second, take every course and seminar available on the key skills that can help you. Attend the conventions and business meetings of your profession or occupation. Go to the sessions and workshops. Sit up front and take notes. Purchase the audio recordings of the programs. Dedicate yourself to becoming one of the most knowledgeable and competent people in your field. Third,”
“Pick the axe; chop off the anger; burn the pieces and bury the ashes. Anger kills before it is noticed. It travels faster to the destination to destroy long before conscience arrives to regret it!”
“I [am] obliged to recur ultimately to my habitual anodyne, "I feel: therefore I exist." I feel bodies which are not myself: there are other existencies then. I call them "matter". I feel them changing place. This gives me "motion". Where there is an absence of matter, I call it "void", or "nothing", or "immaterial space". On the basis of sensation, of matter and motion, we may erect the fabric of all the certainties we can have or need.”
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