“If you are worried about the people outside, the most unreasonable thing you can do is remain outside yourself. Christians are Christ's body...every addition to that body enables Him to do more. If you want to help those outside you must add your own little cell to the body of Christ who along can help them. Cutting off a man's fingers would be a odd way of getting him to do more work.”
“I wonder, sometimes, whether men and women in fact are capable of learning from history--whether we progress from one stage to the next in an upward course or whether we just ride the cycles of boom and bust, war and peace, ascent and decline.”
“Muad'Dib learned rapidly because his first training was in how to learn. And the first lesson of all was the basic trust that he could learn. It's shocking to find how many people do not believe they can learn, and how many more believe learning to be difficult. Muad'Dib knew that every experience carries its lesson.”
“Marriage, like any long-term relationship, requires us to . . . wade through a few things that are difficult. work for many things that are needed. wait on some things that take time. watch out for those things that can be harmful. wave good-bye to personal things that are selfish.”
“Consciously a man lives on his own account in freedom of willbut he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrecvocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value... 'The hearts of kinds are in the hand of God.' The king is the slave of
history... Every action that seems to them an act of their own freewill, is in an historical sense
not free at all, but in bondage to the whole course of previous history, and predestined from all
eternity.”
“Disappointment and failure are not signs that God has forsaken you or stopped loving you. The devil wants you to believe God no longer loves you, but it isn’t true. God’s love for us never fails.”
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
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