“A voice hissed: "He sheds tears!"
It was taken around the ring "Usal gives moisture to the dead!"
He felt fingers touch his damp cheek, heard the awed whispers.”
―
Frank Herbert
“When you imagine mistakes, there can be no self-defense.”
―
Frank Herbert
“Paul sat back. He had used the questions and hyperawareness to do what his mother called “registering” the person. He had Kynes now—tone of voice, each detail of face and gesture.”
―
Frank Herbert
“There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.”
―
Frank Herbert
“Jessica stopped beside him: ‘What delicious abandon in the sleep of a child.’
He spoke mechanically: ‘If only adults could relax like that.’
‘Yes.’
‘When do we lose it?’ He murmured…
‘We do indeed lose something,’ she said.”
―
Frank Herbert
“A single obscure decision of prophecy, perhaps the choice of one word over another, could change the entire aspect of the future. He tells us "The vision of time is broad, but when you pass through it, time becomes a narrow door.”
―
Frank Herbert
“Come, come," the Baron said. "We don't have much time and pain is quick. Please don't bring it to this, my dear Duke." The Baron looked up at Piter who stood at Leto's shoulder. "Piter doesn't have all his tools here, but I'm sure he could improvise."
"Improvisation is sometimes the best, Baron.”
―
Frank Herbert
“Le véritable bonheur, c'était cela. La possibilité de s'arrêter, ne serait-ce que pour un moment.”
―
Frank Herbert
“I guess I’m not in the mood for it today,” Paul said. “Mood?” Halleck’s voice betrayed his outrage even through the shield’s filtering. “What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood’s a thing for cattle or making love or playing the baliset. It’s not for fighting.”
―
Frank Herbert
“the proximity of a desirable thing tempts one to overindulgence.”
―
Frank Herbert
“Whirling silence settled around Jessica. Every fiber of her body accepted the fact that something profound had happened to it. She felt that she was a conscious mote, smaller than any subatomic particle, yet capable of motion and of sensing her surroundings. Like an abrupt revelation—the curtains whipped away—she realized she had become aware of a psychokinesthetic extension of herself. She was the mote, yet not the mote.”
―
Frank Herbert
“My father once told me that respect for truth comes close to being the basis for all morality. 'Something cannot emerge from nothing,' he said. This is profound thinking if you understand how unstable 'the truth' can be.”
―
Frank Herbert
“Color streamed into a toe of darkness testing the sand.”
―
Frank Herbert
