“My brother's death: wise, good, serious, he fell ill while still a young man, suffered for more
than a year, and died painfully, not understanding why he had lived and still less why he had
to die. No theories could give me, or him, any reply to these questions during his slow and
painful dying.”
―
Leo Tolstoy
“Although on a conscious level a man lives for himself, he is actually being used for the
attainment of humanity's historical aims. A deed once done becomes irrevocable, and any
action comes together over time with millions of actions performed by other people to create
historical significance.”
―
Leo Tolstoy
“Every man and every living creature has a sacred right to the gladness of springtime.”
―
Leo Tolstoy
“A wife's a worry, a non-wife's even worse.”
―
Leo Tolstoy
“The study was slowly lit up as the candle was brought in. The familiar details came out: the
stag's horns, the bookshelves, the looking-glass, the stove with its ventilator, which had long
wanted mending, his father's sofa, a large table, on the table an open book, a broken ash-tray,a manuscript-book with his handwriting. As he saw all this, there came over him for an instant
a doubt of the possibility of arranging this new life, of which he had been dreaming on the
road. All these traces of his life seemed to clutch him, and to say to him: 'No, you're not going
to get away from us, and you're not going to be different, but you're going to be the same as
you've always been; with doubts, everlasting dissatisfaction with yourself, vain efforts to
amend, and falls, and everlasting expectations, of a happiness which you won't get, and which
isn't possible for you.”
―
Leo Tolstoy
“If you love me as you say you do,' she whispered, 'make it so that I am at peace.”
―
Leo Tolstoy
“But perhaps it is always so, that men form their conceptions from fictitious, conventional
types, and then—all the combinations made—they are tired of the fictitious figures and begin
to invent more natural, true figures.”
―
Leo Tolstoy
“How often we sin, how much we deceive, and all for what?
―
Leo Tolstoy
“As long as he followed the fixed definition of obscure words such as spirit, will, freedom,
essence, purposely letting himself go into the snare of words the philosophers set for him, he
seemed to comprehend something. But he had only to forget the artificial train of reasoning,
and to turn from life itself to what had satisfied him while thinking in accordance with the fixed
definitions, and all this artificial edifice fell to pieces at once like a house of cards, and it
became clear that the edifice had been built up out of those transposed words, apart from
anything in life more important than reason.”
―
Leo Tolstoy
“That which constitutes the cause of the economic poverty of our age is what the English
call over-production (which means that a mass of things are made which are of no use to
anybody, and with which nothing can be done).”
―
Leo Tolstoy
“But she did not take her eyes from the wheels of the second car. And exactly at the
moment when the midpoint between the wheels drew level with her, she threw away the red
bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a
light movement, as though she would rise immediately, dropped on her knees. And at the
instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What
for?' She tried to get up, to throw herself back; but something huge and merciless struck her
on the head and dragged her down on her back
―
Leo Tolstoy
“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a
ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at
the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor
fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast,
neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So
he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to
it. His arms grow weak and he knows that he will soon have to resign himself to the death that
awaits him on either side. Yet he still clings on, and while he is holding on to the branch he
looks around and sees that two mice, one black and one white, are steadily working their way
round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it
and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and
knows that he will inevitably perish. But while he is still hanging there he sees some drops of
honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I
am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me,
ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white
mouse and the black mouse – day and night – are gnawing at the branch from which I am
hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only
one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them.
And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.
―
Leo Tolstoy
“But all these hints at foreseeing what actually did happen on the French as well as on the
Russian side are only conspicuous now because the event has justified them. If the event had
not come to pass, these hints would have been forgotten, as thousands and millions of
suggestions and supposition are now forgotten that were current at the period, but have been
shown by time to be unfounded and so have been consigned to oblivion.”
―
Leo Tolstoy
“Levin was almost of the same age as Oblonsky; their intimacy did not rest merely on
champagne. Levin had been the friend and companion of his early youth. They were fond of
one another in spite of the difference of their characters and tastes, as friends are fond of one
another who have been together in early youth. But in spite of this, each of them—as is often
the way with men who have selected careers of different kinds—though in discussion he
would even justify the other's career, in his heart despised it. It seemed to each of them that
the life he led himself was the only real life, and the life led by his friend was a mere
phantasm. Oblonsky could not restrain a slight mocking smile at the sight of Levin. How often
he had seen him come up to Moscow from the country where he was doing something, but
what precisely Stepan Arkadyevitch could never quite make out, and indeed he took no
interest in the matter. Levin arrived in Moscow always excited and in a hurry, rather ill at ease
and irritated by his own want of ease, and for the most part with a perfectly new, unexpected
view of things. Stepan Arkadyevitch laughed at this, and liked it. In the same way Levin in his
heart despised the town mode of life of his friend, and his official duties, which he laughed at,
and regarded as trifling. But the difference was that Oblonsky, as he was doing the same as
every one did, laughed complacently and good-humoredly, while Levin laughed without
complacency and sometimes angrily.”
―
Leo Tolstoy
“Do not be interested in the quantity of people who respect and admire you, but in their
quality. If bad people dislike you, so much the better. —LUCIUS ANNAEUS SENECA”
―
Leo Tolstoy