“Oh, it's awful! oh dear, oh dear! awful!" Stepan Arkadyevitch kept repeating to himself, and
he could think of nothing to be done. "And how well things were going up till now! how well we
got on! She was contented and happy in her children; I never interfered with her in anything; I
let her manage the children and the house just as she liked. It's true it's bad HER having been
a governess in our house. That's bad! There's something common, vulgar, in flirting with one's
governess. But what a governess!" (He vividly recalled the roguish black eyes of Mlle. Roland
and her smile.) "But after all, while she was in the house, I kept myself in hand. And the worst
of it all is that she's already... it seems as if ill-luck would have it so! Oh, oh! But what, what is
to be done?”
―
Leo Tolstoy
“Nowadays, as before, the public declaration and confession of Orthodoxy is usually
encountered among dull-witted, cruel and immoral people who tend to consider themselves
very important. Whereas intelligence, honesty, straightforwardness, good-naturedness and
morality are qualities usually found among people who claim to be non-believers.”
―
Leo Tolstoy
“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene,
behind her back. Helene moved forward so as to make room and, smiling, glanced around. As
always at soirees, she was wearing a gown in the fashion of the time, quite open in front and
back. Her bust, which had always looked like marble to Pierre, was now such a short distance
from him that he could involuntarily make out with his nearsighted eyes the living loveliness of
her shoulders and neck, and so close to his lips that he had only to lean forward a little to
touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of
her corset as she breathed. He saw not her marble beauty, which made one with her gown, he
saw and sensed all the loveliness of her body, which was merely covered by clothes. And
once he had seen it, he could not see otherwise, as we cannot return to a once-exposed
deception.”
―
Leo Tolstoy
“She put both her hands on his shoulders and gazed at him long, with a deep look of
ecstasy and yet searchingly. She scrutinized his face to make up for the time she had not
seen him. She compared, as she did at every interview with him, the image her fancy painted
of him (incomparably finer than, and impossible in actual existence) with his real self”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
“And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars
on every side but catching the eye through its closeness to the earth, its pure white light and
the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular
harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny
tail held no fears for Pierre. Quite the reverse: Pierre’s eyes glittered with tears of rapture as
he gazed up at this radiant star, which must have traced its parabola through infinite space at
speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and
impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail
and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body
seemed perfectly attuned to Pierre’s newly melted heart, as it gathered reassurance and
blossomed into new life.”
―
Leo Tolstoy
“When it is impossible to stretch the very elastic threads of historical ratiocination any
farther, when actions are clearly contrary to all that humanity calls right or even just, the
historians produce a saving conception of ‘greatness.’ ‘Greatness,’ it seems, excludes the
standards of right and wrong. For the ‘great’ man nothing is wrong, there is no atrocity for
which a ‘great’ man can be blamed.”
―
Leo Tolstoy
“He soon felt that the fulfillment of his desires gave him only one grain of the mountain of
happiness he had expected. This fulfillment showed him the eternal error men make in
imagining that their happiness depends on the realization of their desires.”
―
Leo Tolstoy
“There is only one real knowledge: that which helps us to be free. Every other type of
knowledge is mere amusement. —VISHNU PURANA,”
―
Leo Tolstoy
“The subject of history is the life of peoples and of humanity. To catch and pin down in
words--that is, to describe directly the life, not only of humanity, but even of a single people,
appears to be impossible.”
―
Leo Tolstoy
“Just as a painter needs light in order to put the finishing touches to his picture, so I need
an inner light, which I feel I never have enough of in the autumn.”
―
Leo Tolstoy
“I simply want to live; to cause no evil to anyone but myself.”
―
Leo Tolstoy
“How good it would be to know where to look for help in this life and what to expect after it,
there, beyond the grave! How happy and calm I'd be, if I could say now: Lord, have mercy on
me! ... But to whom shall I say it? Either it is an indefinable, unfathomable power, which I not
only cannot address, but which I cannot express in words - the great all or nothing...or it is that
God of whom Princess Marya has sewn in here, in this amulet? Nothing, nothing is certain,
except the insignificance of everything I can comprehend and the grandeur of something
incomprehensible but most important!
―
Leo Tolstoy
“There lay between them, separating them, that same terrible line of the unknown and of
fear, like the line separating the living from the dead.”
―
Leo Tolstoy
“Consciously a man lives on his own account in freedom of willbut he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrecvocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value... 'The hearts of kinds are in the hand of God.' The king is the slave of
history... Every action that seems to them an act of their own freewill, is in an historical sense
not free at all, but in bondage to the whole course of previous history, and predestined from all
eternity.”
―
Leo Tolstoy
