“And what was worst of all was that *It* drew his attention to itself not in order to make him take some action but only that he should look at *It*, look it straight in the face: look at it and without doing anything, suffer inexpressibly. And to save himself from this condition Ivan Ilych looked for consolations -- new screens -- and new screens were found and for a while seemed to save him, but then they immediately fell to pieces or rather became transparent, as if *It* penetrated them and nothing could veil *It*.”

“Though men in their hundreds of thousands had tried their hardest to disfigure that little corner of the earth where they had crowded themselves together, paving the ground with stones so that nothing could grow, weeding out every blade of vegetation, filling the air with the fumes of coal and gas, cutting down trees and driving away every beast and every bird -- spring, however, was still spring, even in the town. The sun shone warm, the grass, wherever it had not been scraped away, revived and showed green not only on the narrow strips of lawn on the boulevards but between the paving-stones as well, and the birches, the poplars and the wild cherry-trees were unfolding their sticky, fragrant leaves, and the swelling buds were bursting on the lime trees; the jackdaws, the sparrows and the pigeons were cheerfully getting their nests ready for the spring, and the flies, warmed by the sunshine, buzzed gaily along the walls. All were happy -- plants, birds, insects and children. But grown-up people -- adult men and women -- never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy -- a beauty which inclines the heart to peace, to harmony and to love. No, what they considered sacred and important were their own devices for wielding power over each other.”

“There is something in the human spirit that will survive and prevail, there is a tiny and brilliant light burning in the heart of man that will not go out no matter how dark the world becomes.”

“if they hadn’t both been pretending, but had had what is called a heart-to-heart talk, that is, simply told each other just what they were thinking and feeling, then they would just have looked into each other’s eyes, and Constantine would only have said: ‘You’re dying, dying, dying!’ – while Nicholas would simply have replied: ‘I know I’m dying, but I’m afraid, afraid, afraid!’ That’s all they would have said if they’d been talking straight from the heart. But it was impossible to live that way, so Levin tried to do what he’d been trying to do all his life without being able to, what a great many people could do so well, as he observed, and without which life was impossible: he tried to say something different from what he thought, and he always felt it came out false, that his brother caught him out and was irritated by it.”

“The most difficult subjects can be explained to the most slow- witted man if he has not formed any idea of them already; but the simplest thing cannot be made clear to the most intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt, what is laid before him.”

“In the name of God, stop a moment, cease your work, look around you.”

“At one time,' Golenishchev continued, either not observing or not willing to observe that both Anna and Vronsky wanted to speak, 'at one time a freethinker was a man who had been brought up in the conception of religion, law, and morality, who reached freethought only after conflict and difficulty. But now a new type of born freethinkers has appeared, who grow up without so much as hearing that there used to be laws of morality, or religion, that authorities existed. They grow up in ideas of negation in everything -- in other words, utter savages.”

“She put both her hands on his shoulders and gazed at him long, with a deep look of ecstasy and yet searchingly. She scrutinized his face to make up for the time she had not seen him. She compared, as she did at every interview with him, the image her fancy painted of him (incomparably finer than, and impossible in actual existence) with his real self”

“Life is too long to say anything definitely; always say perhaps.”

“A quiet secluded life in the country, with the possibility of being useful to people to whom it is easy to do good, and who are not accustomed to have it done to them; then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbor — such is my idea of happiness.

“Yes, there is something in me hateful, repulsive," thought Ljewin, as he came away from the Schtscherbazkijs', and walked in the direction of his brother's lodgings. "And I don't get on with other people. Pride, they say. No, I have no pride. If I had any pride, I should not have put myself in such a position"

“[Pierre] involuntarily started comparing these two men, so different and at the same time so similar, because of the love he had for both of them, and because both had lived and both had died.”

“Both salvation and punishment for man lie in the fact that if he lives wrongly he can befog himself so as not to see the misery of his position.”

“...there was apparent in all a sort of anxiety, a softening of the heart, and a consciousness of some great, unfathomable mystery being accomplished... the most solemn mystery in the world was being accomplished. Evening passed, night came on. And the feeling of suspenseand softening of the heart before the unfathomable did not wane, but grew more intense. No one slept.”

“Music makes me forget my real situation. It transports me into a state which is not my own. Under the influence of music I really seem to feel what I do not feel, to understand what I do not understand, to have powers which I cannot have. Music seems to me to act like yawning or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to laugh, I laugh when I hear others laugh. And music transports me immediately into the condition of soul in which he who wrote the music found himself at that time. ~The Kreutzer Sonata”