“What is reason given me for, if I am not to use it to avoid bringing unhappy beings into the world!”

“wisdom needs no violence...As it is we have played at war – that’s what’s vile! We play at magnanimity and all that stuff. Such magnanimity and sensibility are like the magnanimity and sensibility of a lady who faints when she sees a calf being killed: she is so kindhearted that she can’t look at blood, but enjoys eating the calf served up with sauce...If there was none of this magnanimity in war, we should go to war only when it was worth while going to certain death, as it is now. Then there would not be war because Paul Ivanovich had offended Michael Ivanovich.”

“They say that that's a difficult task, that nothing's amusing that isn't spiteful," he began with a smile. "But I'll try. Get me a subject. It all lies in the subject. If a subject's given me, it's easy to spin something round it. I often think that the celebrated talkers of the last century would have found it difficult to talk cleverly now. Everything clever is so stale... ”

“What is precious is not the reward but the work. And I wish you to understand that. If you work and study in order to get a reward, the work will seem hard to you; but when you work, if you love the work, you will find your reward in that.”

“Answer me two more questions,’ said the King. ‘The first is, Why did the earth bear such grain then and has ceased to do so now? And the second is, Why your grandson walks with two crutches, your son with one, and you yourself with none? Your eyes are bright, your teeth sound, and your speech clear and pleasant to the ear. How have these things come about?’ And the old man answered: ‘These things are so, because men have ceased to live by their own labour, and have taken to depending on the labour of others. In the old time, men lived according to God’s law. They had what was their own, and coveted not what others had produced.”

“Sometimes he remembered having heard how soldiers under fire in the trenches, and having nothing to do, try hard to find some occupation the more easily to bear the danger. It seemed to Pierre that all men were like those soldiers, seeking refuge from life: some in ambition, some in cards, some in framing laws, some in women, some in playthings, some in horses, some in politics, some in sport, some in wine, and some in government service. 'Nothing is without consequence, and nothing is important: it's all the same in the end. The thing to do is to save myself from it all as best I can,' thought Pierre. Not to see IT, that terrible IT.”

“Without knowing what I am and why I am here, life is impossible.”

“What energy!' I thought. 'Man has conquered everything, and destroyed millions of plants, yet this one won't submit.”

“Levin had often noticed in arguments between even the most intelligent people that after enormous efforts, an enormous number of logical subtleties and words, the arguers would finally come to the awareness that what they had spent so long struggling to prove to each other had been known to them long, long before, from the beginning of the argument, but that they loved different things and therefore did not want to name what they loved, so as not to be challenged. He had often felt that sometimes during an argument you would understand what your opponent loves, and suddenly come to love the same thing yourself, and agree all at once, and then all reasonings would fall away as superfluous; and sometimes it was the other way round: you would finally say what you yourself love, for the sake of which you are inventing your reasonings, and if you happened to say it well and sincerely, the opponent would suddenly agree and stop arguing. That was the very thing he wanted to say.

“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast, neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to it. His arms grow weak and he knows that he will soon have to resign himself to the death that awaits him on either side. Yet he still clings on, and while he is holding on to the branch he looks around and sees that two mice, one black and one white, are steadily working their way round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and knows that he will inevitably perish. But while he is still hanging there he sees some drops of honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me, ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white mouse and the black mouse – day and night – are gnawing at the branch from which I am hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them. And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.

“he was one of those diplomats who like and know how to work, and, despite his laziness, he occasionally spent nights at his desk.”

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

Pierre was for the first time at this meeting impressed by the endless multiplicity of men's minds, which leads to no truth being ever seen by two persons alike...What Pierre chiefly desired was always to transmit his thought to another exactly as he conceived it himself.”

“In actuality, it was like the homes of all people who are not really rich but who want to look rich, and therefore end up looking like one another: it had damasks, ebony, plants, carpets, and bronzes, everything dark and gleaming—all the effects a certain class of people produce so as to look like people of a certain class. And his place looked so much like the others that it would never have been noticed, though it all seemed quite exceptional to him.”

“He looked at her as a man looks at a faded flower he has gathered, with difficulty recognizing in it the beauty for which he picked and ruined it. And in spite of this he felt that then, when his love was stronger, he could, if he had greatly wished it, have torn that love out of his heart; but now when as at that moment it seemed to him he felt no love for her, he knew that what bound him to her could not be broken.”