“For the first time in his life he knew the bitterest sort of misfortune, misfortune beyond
remedy, misfortune his own fault.”
―
Leo Tolstoy
“He meditated on the use to which he should put all the energy of youth which comes to a
man only once in life. Should he devote this power, which is not the strength of intellect or
heart or education, but an urge which once spent can never return, the power given to a man
once only to make himself, or even – so it seems to him at the time – the universe into
anything he wishes: should he devote it to art, to science, to love, or to practical activities?
True, there are people who never have this urge: at the outset of life they place their necks
under the first yoke that offers itself, and soberly toil away in it to the end of their days.”
―
Leo Tolstoy
“I don't allow myself to doubt myself even for a moment.”
―
Leo Tolstoy
“it's much better to do good in a way that no one knows anything about it.”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
“Levin had often noticed in arguments between even the most intelligent people that after
enormous efforts, an enormous number of logical subtleties and words, the arguers would
finally come to the awareness that what they had spent so long struggling to prove to each
other had been known to them long, long before, from the beginning of the argument, but that
they loved different things and therefore did not want to name what they loved, so as not to be
challenged. He had often felt that sometimes during an argument you would understand what
your opponent loves, and suddenly come to love the same thing yourself, and agree all at
once, and then all reasonings would fall away as superfluous; and sometimes it was the other
way round: you would finally say what you yourself love, for the sake of which you are
inventing your reasonings, and if you happened to say it well and sincerely, the opponent
would suddenly agree and stop arguing. That was the very thing he wanted to say.
―
Leo Tolstoy
“Every man had his personal habits, passions, and impulses toward goodness, beauty, and
truth.”
―
Leo Tolstoy
“In the name of God, stop a moment, cease your work, look around you.”
―
Leo Tolstoy
“The antagonism between life and conscience may be removed in two ways: by a change
of life or by a change of conscience.”
―
Leo Tolstoy
“Pierre looked into the sky, into the depths of the retreating, twinkling stars. "And all this is
mine, and all this is in me, and all this is me!" thought Pierre. "And all this they've caught and
put in a shed and boarded it up!”
―
Leo Tolstoy
“Art is not a handicraft; it is the transmission of feeling the artist has experienced.
―
Leo Tolstoy
“It's not those who are handsome we love, but those we love who are handsome.”
―
Leo Tolstoy
“He could not be mistaken. There were no other eyes like those in the world. There was
only one creature in the world who could concentrate for him all the brightness and meaning of
life. It was she. It was Kitty.”
―
Leo Tolstoy
“Then as now much time was spent arguing about the rights of women, husband-and-wife
relationships and freedom and rights within marriage, but Natasha had no interest in any such
questions.
Questions like these, then as now, existed exclusively for people who see marriage only in
terms of satisfaction given and received by the married couple, though this is only one
principle of married life rather than its overall meaning, which lies in the family.”
―
Leo Tolstoy
“There are two aspects," Alexey Alexandrovitch resumed: "those who take part and those
who look on; and love for such spectacles is an unmistakable proof of a low degree of
development in the spectator, I admit, but . . .”
―
Leo Tolstoy
