“In all human sorrow nothing gives comfort but love and faith, and that in the sight of
Christ's compassion for us no sorrow is trifling.”
―
Leo Tolstoy
“We shall all of us die, so why should I grudge a little trouble?”
―
Leo Tolstoy
“The memories of home and of her children rose up in her imagination with a peculiar
charm quite new to her, with a sort of new brilliance. That world of her own seemed quite new
to her now so sweet and precious that she would not on any account spend an extra day
outside it, and she made up her mind that she would certainly go back next day.”
―
Leo Tolstoy
“There was no answer, except the general answer life gives to all the most complex and
insoluble questions. That answer is: one must live for the needs of the day, in other words,
become oblivious.”
―
Leo Tolstoy
“I already love in you your beauty, but I am only beginning to love in you that which is
eternal and ever precious – your heart, your soul. Beauty one could get to know and fall in
love with in one hour and cease to love it as speedily; but the soul one must learn to know.
Believe me, nothing on earth is given without labour, even love, the most beautiful and natural
of feelings,But the more difficult the labour and hardship, the higher the reward,”
―
Leo Tolstoy
“Every lie is a poison; there are no harmless lies. Only the truth is safe. Only the truth gives
me consolation - it is the one unbreakable diamond.”
―
Leo Tolstoy
“Natasha, in her lilac silk dress trimmed with black lace walked, as women can walk, with
the more repose and stateliness the greater the pain and shame in her soul.”
―
Leo Tolstoy
“In captivity, in the shed, Pierre had learned, not with his mind, but with his whole being, his
life, that man is created for happiness, that happiness is within him, in the satisfying of natural
human needs, and that all unhappiness comes not from lack, but from superfluity; but now, in
these last three weeks of the march, he had learned a new and more comforting truth - he had
learned that there is nothing frightening in the world. He had learned that, as there is no
situation in the world in which a man can be happy and perfectly free, so there is no situation
in which he can be perfectly unhappy and unfree. He had learned that there is a limit to
suffering and a limit to freedom, and that those limits are very close; that the man who suffers
because one leaf is askew in his bed of roses, suffers as much as he now suffered falling
asleep on the bare, damp ground, one side getting cold as the other warmed up; that when he
used to put on his tight ballroom shoes, he suffered just as much as now, when he walked
quite barefoot (his shoes had long since worn out) and his feet were covered with sores.”
―
Leo Tolstoy
“Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty
or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess
of stored-up energy; it is not the expression of man's emotions by external signs; it is not the
production of pleasing objects; and, above all, it is not pleasure; but it is a means of union
among men, joining them together in the same feelings, and indispensable for the life and
progress toward well-being of individuals and of humanity.”
―
Leo Tolstoy
“Why does an apple fall when it is ripe? Is it brought down by the force of gravity? Is it
because its stalk withers? Because it is dried by the sun, because it grows too heavy, or
because the boy standing under the tree wants to eat it? None of these is the cause.... Every
action of theirs, that seems to them an act of their own freewill is in the historical sense not
free at all but is bound up with the whole course of history and preordained from all eternity.”
―
Leo Tolstoy
“Love. The reason I dislike that word is that it means too much for me, far more than you can
understand."
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“Am I mad, to see what others do not see, or are they mad who are responsible for all that I
am seeing?”
―
Leo Tolstoy
“What a strange illusion it is to suppose that beauty is goodness.
―
Leo Tolstoy
“To every administrator, in peaceful, unstormy times, it seems that the entire population
entrusted to him moves only by his efforts, and in this consciousness of his necessity every
administrator finds the chief rewards for his labors and efforts. It is understandable that, as
long as the historical sea is calm, it must seem to the ruler-administrator in his frail little bark,
resting his pole against the ship of the people and moving along with it, that his efforts are
moving the ship. But once a storm arises, the sea churns up, and the ship begins to move my
itself, and then the delusion is no longer possible. The ship follows its own enormous,
independent course, the pole does not reach the moving ship, and the ruler suddenly, from his
position of power, from being a source of strength, becomes an insignificant, useless, and
feeble human being.”
―
Leo Tolstoy
