“As a house can be only be built satisfactorily and durably when there is a foundation, and a
picture can be painted only when there is something prepared to paint it on, so carnal love is
only legitimate, reasonable, and lasting when it is based on the respect and love of one human
being for another.”
―
Leo Tolstoy
“The most important acts, both for the one who accomplishes them and for his fellow
creatures, are those that have remote consequences.”
―
Leo Tolstoy
“Music makes me forget myself, my true condition, it carries me off into another state of
being, one that isn't my own: under the influence of music I have the illusion of feeling things I
don't really feel, of understanding things I don't understand, being able to do things I'm not
able to do (...) Can it really be allowable for anyone who feels like it to hypnotize another
person, or many other persons, and then do what he likes with them? Particularly if the
hypnotist is the first unscrupulous individual who happens to come along?”
―
Leo Tolstoy
“Everything I know, I know because I love.”
―
Leo Tolstoy
“He sought his former accustomed fear of death and did not find it. "Where is it? What
death?" There was no fear because there was no death.
In place of death there was light.”
―
Leo Tolstoy
“He looked at her as a man looks at a faded flower he has gathered, with difficulty
recognizing in it the beauty for which he picked and ruined it. And in spite of this he felt that
then, when his love was stronger, he could, if he had greatly wished it, have torn that love out
of his heart; but now when as at that moment it seemed to him he felt no love for her, he knew
that what bound him to her could not be broken.”
―
Leo Tolstoy
“Music makes me forget my real situation. It transports me into a state which is not my own.
Under the influence of music I really seem to feel what I do not feel, to understand what I do
not understand, to have powers which I cannot have. Music seems to me to act like yawning
or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to
laugh, I laugh when I hear others laugh. And music transports me immediately into the
condition of soul in which he who wrote the music found himself at that time. ~The Kreutzer
Sonata”
―
Leo Tolstoy
“Those are the men,' added Bolkonsky with a sigh which he could not suppress, as they
went out of the palace, 'those are the men who decide the fate of nations.”
―
Leo Tolstoy
“It will pass, it will all pass, we're going to be so happy! If our love could grow any stronger it
would grow stronger because there is something horrifying in it,”
―
Leo Tolstoy
“So you make a sacrifice!' he threw special emphasis on the last word. 'Well, so do I. What
could be better? We complete in generosity--what an example of family happiness!”
―
Leo Tolstoy
“He felt that he could not turn aside from himself the hatred of men, because that hatred did
not come from his being bad (in that case he could have tried to be better), but from his being
shamefully and repulsively unhappy. He knew that for this, for the very fact that his heart was
torn with grief, they would be merciless to him. He felt that men would crush him as dogs
strangle a torn dog yelping with pain. He knew that his sole means of security against people
was to hide his wounds from them”
―
Leo Tolstoy
“the same question arose in every soul: "For what, for whom, must I kill and be killed?"
―
Leo Tolstoy
“As the sun and each atom of ether is a shphere complete in itself, yet at the same time
only a part of a whole too vast for man to comprehend, so each individual bears within himself
his own purpose, yet bears it ot serve a general purpose unfathomable to man.”
―
Leo Tolstoy
“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a
ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at
the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor
fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast,
neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So
he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to
it. His arms grow weak and he knows that he will soon have to resign himself to the death that
awaits him on either side. Yet he still clings on, and while he is holding on to the branch he
looks around and sees that two mice, one black and one white, are steadily working their way
round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it
and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and
knows that he will inevitably perish. But while he is still hanging there he sees some drops of
honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I
am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me,
ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white
mouse and the black mouse – day and night – are gnawing at the branch from which I am
hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only
one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them.
And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.
―
Leo Tolstoy