“Answer me two more questions,’ said the King. ‘The first is, Why did the earth bear such grain then and has ceased to do so now? And the second is, Why your grandson walks with two crutches, your son with one, and you yourself with none? Your eyes are bright, your teeth sound, and your speech clear and pleasant to the ear. How have these things come about?’ And the old man answered: ‘These things are so, because men have ceased to live by their own labour, and have taken to depending on the labour of others. In the old time, men lived according to God’s law. They had what was their own, and coveted not what others had produced.”

“A little muzhik was working on the railroad, mumbling in his beard.

“It is amazing how complete is the delusion that beauty is goodness.”

“What energy!' I thought. 'Man has conquered everything, and destroyed millions of plants, yet this one won't submit.”

“... for nightinggales - we know - can’t live on fairytales.”

“I wanted movement and not a calm course of existence. I wanted excitement and the chance to sacrifice myself for my love. I felt it in myself a superabundance of energy which found no outlet in our quiet life.”

“...the more he did nothing, the less time he had to do anything.”

“If goodness has causes, it is not goodness; if it has effects, a reward, it is not goodness either. So goodness is outside the chain of cause and effect.”

“Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's flattering me," thought the princess, and she turned away and went on reading. Julie, however, was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous (sometimes it was as if rays of light came from them in sheaves), were so beautiful that very often, despite the unattractiveness of the whole face, those eyes were more attractive than beauty. But the princess had never seen the good expression of thise eyes, the expression they had in moments when she was not thinking of herself. As with all people, the moment she looked in the mirror, her face assumed a strained, unnatural, bad expression.”

“And you know, there's less charm in life when you think about death--but it's more peaceful.”

“You need feeling, emotion, to create. You can't create out of indifference.”

“The only real science is the knowledge of how a person should live his life. And this knowledge is open to everyone.”

“Levin was almost of the same age as Oblonsky; their intimacy did not rest merely on champagne. Levin had been the friend and companion of his early youth. They were fond of one another in spite of the difference of their characters and tastes, as friends are fond of one another who have been together in early youth. But in spite of this, each of them—as is often the way with men who have selected careers of different kinds—though in discussion he would even justify the other's career, in his heart despised it. It seemed to each of them that the life he led himself was the only real life, and the life led by his friend was a mere phantasm. Oblonsky could not restrain a slight mocking smile at the sight of Levin. How often he had seen him come up to Moscow from the country where he was doing something, but what precisely Stepan Arkadyevitch could never quite make out, and indeed he took no interest in the matter. Levin arrived in Moscow always excited and in a hurry, rather ill at ease and irritated by his own want of ease, and for the most part with a perfectly new, unexpected view of things. Stepan Arkadyevitch laughed at this, and liked it. In the same way Levin in his heart despised the town mode of life of his friend, and his official duties, which he laughed at, and regarded as trifling. But the difference was that Oblonsky, as he was doing the same as every one did, laughed complacently and good-humoredly, while Levin laughed without complacency and sometimes angrily.”

“There are no conditions to which a person cannot grow accustomed, especially if he sees that everyone around him lives in the same way.”

“There are two aspects," Alexey Alexandrovitch resumed: "those who take part and those who look on; and love for such spectacles is an unmistakable proof of a low degree of development in the spectator, I admit, but . . .”