“Rostov kept thinking about that brilliant feat of his, which, to his surprise, had gained him
the St. George Cross and even given him the reputation of a brave man - and there wassomething in it that he was unable to understand. "So they're even more afraid than we are!"
he thought. "So that's all there is to so-called heroism? And did I really do it for the fatherland?
And what harm had he done, with his dimple and his light blue eyes? But how frightened he
was! He thought I'd kill him. Why should I kill him? My hand faltered. And they gave me the St.
George Cross. I understand nothing, nothing!”
―
Leo Tolstoy
“So it would be, were it not for the law of inertia, as immutable a force in men and nations
as in inanimate bodies. In men it takes the form of the psychological principle, so truly
expressed in the words of the Gospel, " They have loved darkness better than light, because
their deeds were evil." This principle shows itself in men not trying to recognise the truth, but to
persuade themselves that the life they are leading, which is what they like and are used to, is
a life perfectly consistent with truth.”
―
Leo Tolstoy
“In everything, almost in everything, I wrote I was guided by the need of collecting ideas
which, linked together, would be the expression of myself, though each individual idea,
expressed separately in words, loses its meaning, is horribly debased when only one of the
links, of which it forms a part, is taken by itself. But the interlinking of these ideas is not, I think,
an intellectual process, but something else, and it is impossible to express the source of this
interlinking directly in words; it can only be done indirectly by describing images, actions, and
situations in words.”
―
Leo Tolstoy
“Napoleon, the man of genius, did this! But to say that he destroyed his army because he
wished to, or because he was very stupid, would be as unjust as to say that he had brought
his troops to Moscow because he wished to and because he was very clever and a genius”
―
Leo Tolstoy
“Writing laws is easy, but governing is difficult.”
―
Leo Tolstoy
“And the moujiks? How do the moujiks die?”
―
Leo Tolstoy
“Having then for the first time clearly understood that before every man, and before himself,
there lay only suffering, death, and eternal oblivion, he had concluded that to live under such
conditions was impossible; that one must either explain life to oneself so that it does not seem
to be an evil mockery by some sort of devil, or one must shoot oneself.
―
Leo Tolstoy
“All great literature is one of two stories; a man goes on a journey or a stranger comes to
town.”
―
Leo Tolstoy
“It's not so much that he can't fall in love, but he has not the weakness necessary.”
―
Leo Tolstoy
“if they hadn’t both been pretending, but had had what is called a heart-to-heart talk, that is,
simply told each other just what they were thinking and feeling, then they would just have
looked into each other’s eyes, and Constantine would only have said: ‘You’re dying, dying,
dying!’ – while Nicholas would simply have replied: ‘I know I’m dying, but I’m afraid, afraid,
afraid!’ That’s all they would have said if they’d been talking straight from the heart. But it was
impossible to live that way, so Levin tried to do what he’d been trying to do all his life without
being able to, what a great many people could do so well, as he observed, and without which
life was impossible: he tried to say something different from what he thought, and he always
felt it came out false, that his brother caught him out and was irritated by it.”
―
Leo Tolstoy
“Never, never marry, my friend. Here’s my advice to you: don’t marry until you can tell
yourself that you’ve done all you could, and until you’ve stopped loving the woman you’ve
chosen, until you see her clearly, otherwise you’ll be cruelly and irremediably mistaken. Marry
when you’re old and good for nothing...Otherwise all that’s good and lofty in you will be lost.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“When politics and home life have become one and the same thing, [...] then,[...] it is
evident that we will be in a state of total liberty or anarchy.”
―
Leo Tolstoy
“He was not to blame for being born with an irrepressible charachter and a mind some how
constrained.”
―
Leo Tolstoy
“One can no more approach people without love than one can approach bees without care.
Such is the quality of bees...”
―
Leo Tolstoy
