Everything that I know, I know only because I love.
―
Leo Tolstoy
“Speransky, either because he appreciated Prince Andrey's abilities or because he thought
it as well to secure his adherence, showed off his calm, impartial sagacity before Prince
Andrey, and flattered him with that delicate flattery that goes hand in hand with conceit, and
consists in a tacit assumption that one's companion and oneself are the only people capable
of understanding all the folly of the rest of the world and the sagacity and profundity of their
own ideas.”
―
Leo Tolstoy
“The latter part of her stay in Voronezh had been the happiest period in Princess Marya's
life. Her love for Rostov was not then a source of torment or agitation to her. That love had by
then filled her whole soul and become an inseparable part of herself, and she no longer
struggled against it. Of late Princess Marya was convinced- though she never clearly in so
many words admitted it to herself- that she loved and was beloved.”
―
Leo Tolstoy
“For a few seconds they looked silently into each other's eyes, and the distant and
impossible suddenly became near, possible, and inevitable.”
―
Leo Tolstoy
“Be bad, but at least don't be a liar, a deceiver!”
―
Leo Tolstoy
“In historical events great men-so called-are but the labels that serve to give a mane to an
event, and like labels, they have the last possible connection with the event itself. Every action
of theirs, that seems to them an act of their own free will, is in an historical sense not free at
all, but in bondage to the whole course of previous history, and predestined from all eternity.”
―
Leo Tolstoy
“In order to understand, observe, deduce, man must first be conscious of himself as alive
―
Leo Tolstoy
“Then as now much time was spent arguing about the rights of women, husband-and-wife
relationships and freedom and rights within marriage, but Natasha had no interest in any such
questions.
Questions like these, then as now, existed exclusively for people who see marriage only in
terms of satisfaction given and received by the married couple, though this is only one
principle of married life rather than its overall meaning, which lies in the family.”
―
Leo Tolstoy
“Nikolushka and his upbringing, Andre, and religion were Princess Marya's comforts and
joys; but, besides that, since every human being needs his personal hope, Princess Marya
had in the deepest recesses of her soul a hidden dream and hope, which provided the main
comfort of her life.”
―
Leo Tolstoy
“Is it possible to love a woman who will never understand the profoundest interests of my
life?
Is it possible to love a woman simply for her beauty,
to love the statue of a woman?”
―
Leo Tolstoy
“Her motherly instinct told her that there was too much of something in Natasha, and that it
would prevent her from being happy.”
―
Leo Tolstoy
“Consciously a man lives on his own account in freedom of willbut he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrecvocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value... 'The hearts of kinds are in the hand of God.' The king is the slave of
history... Every action that seems to them an act of their own freewill, is in an historical sense
not free at all, but in bondage to the whole course of previous history, and predestined from all
eternity.”
―
Leo Tolstoy
“Only people who are capable of loving strongly can also suffer great sorrow, but this same
necessity of loving serves to counteract their grief and heals them.”
―
Leo Tolstoy
“To say that a work of art is good, but incomprehensible to the majority of men, is the same
as saying of some kind of food that it is very good but that most people can’t eat it.”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
