“And what was worst of all was that *It* drew his attention to itself not in order to make him
take some action but only that he should look at *It*, look it straight in the face: look at it and
without doing anything, suffer inexpressibly.
And to save himself from this condition Ivan Ilych looked for consolations -- new screens --
and new screens were found and for a while seemed to save him, but then they immediately
fell to pieces or rather became transparent, as if *It* penetrated them and nothing could veil
*It*.”
―
Leo Tolstoy
“With all my soul I longed to be in a position to join with the people in performing the rites of
their faith, but I could not do it. I felt that I would be lying to myself, mocking what was sacred
to me, if I were to go through with it.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“Pierre’s heart thrilled to these words as he gazed with shining eyes into the mason’s face.
He listened without interrupting or asking any questions, and with all his soul he believed what
this stranger was saying to him. Whether he was believing rational arguments coming from the
mason, or trusting more like a child in the persuasive intonation, the sense of authority, the
sincerity of the words spoken, the quavering voice that sometimes seemed on the verge of
breaking down, or the gleaming aged eyes grown old in that conviction, or the tranquillity, the
certainty and true sense of vocation radiating from the old man’s whole being and striking
Pierre very forcibly, given the state of his own debasement and despair – whatever was
happening to him, he longed to believe with all his soul, and he did believe and he felt a joyful
sense of calm, renewal and return to life.”
―
Leo Tolstoy
“I do value my work awfully; but in reality only consider this: all this world of ours is nothing
but a speck of mildew, which has grown up on a tiny planet. And for us to suppose we can
have something great - ideas, work - it's all dust and ashes.”
―
Leo Tolstoy
“Just as a painter needs light in order to put the finishing touches to his picture, so I need
an inner light, which I feel I never have enough of in the autumn.”
―
Leo Tolstoy
“She put both her hands on his shoulders and gazed at him long, with a deep look of
ecstasy and yet searchingly. She scrutinized his face to make up for the time she had not
seen him. She compared, as she did at every interview with him, the image her fancy painted
of him (incomparably finer than, and impossible in actual existence) with his real self”
―
Leo Tolstoy
“The goal of the artist is not to solve a question irrefutably, but to force people to love life in
all its countless, inexhaustible manifestations.”
―
Leo Tolstoy
“In order to undertake anything in family life, it is necessary that there be either complete
discord between the spouses or loving harmony.”
―
Leo Tolstoy
“Everything I know, I know because of love.”
―
Leo Tolstoy
“Pierre had for the first time experienced that strange and fascinating feeling in the
Slobodsky palace, when he suddenly felt that wealth and power and life, all that men build up
and guard with such effort ,is only worth anything through the joy with which it can all be cast
away.”
―
Leo Tolstoy
“Why, of course," objected Stepan Arkadyevitch. "But that's just the aim of civilization—to
make everything a source of enjoyment.”
―
Leo Tolstoy
“Love. The reason I dislike that word is that it means too much for me, far more than you can
understand."
―
Leo Tolstoy
“Morning or night, Friday or Sunday, made no difference, everything was the same: the
gnawing, excruciating, incessant pain; that awareness of life irrevocably passing but not yet
gone; that dreadful, loathsome death, the only reality, relentlessly closing in on him; and that
same endless lie. What did days, weeks, or hours matter?”
―
Leo Tolstoy
“Nothing but ambition, nothing but the desire to get on, that's all there is in his soul," she
thought; "as for these lofty ideals, love of culture, religion, they are only so many tools for
getting on.”
―
Leo Tolstoy
