“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

Leo Tolstoy

“But the older he grew and the more intimately he came to know his brother, the oftener the thought occurred to him that the power of working for the general welfare – a power of whichhe felt himself entirely destitute – was not a virtue but rather a lack of something: not a lack of kindly honesty and noble desires and tastes, but a lack of the power of living, of what is called heart – the aspiration which makes a man choose one out of all the innumerable paths of life that present themselves, and desire that alone.”

Leo Tolstoy

“The most mentally deranged people are certainly those who see in others indications of insanity they do not notice in themselves.”

Leo Tolstoy

“Each time of life has its own kind of love.”

Leo Tolstoy

“All the variety, all the charm, all the beauty of life are made up of light and shade.”

Leo Tolstoy

“Well, pray if you like, only you'd do better to use your judgment.”

Leo Tolstoy

“Only by taking infinitesimally small units for observation (the differential of history, that is, the individual tendencies of men) and attaining to the art of integrating them (that is, finding the sum of these infinitesimals) can we hope to arrive at the laws of history.”

Leo Tolstoy

“And those who only know the non-platonic love have no need to talk of tragedy. In such love there can be no sort of tragedy.”

Leo Tolstoy

“Whatever our fate is or may be, we have made it and do not complain of it."

Leo Tolstoy

“Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie such a knot, that when it is untied, the whole man is visible.”

Leo Tolstoy

“He remembered his mother's love for him, and his family's, and his friends', and the enemy's intention to kill him seemed impossible.”

Leo Tolstoy

“Those are the men,' added Bolkonsky with a sigh which he could not suppress, as they went out of the palace, 'those are the men who decide the fate of nations.”

Leo Tolstoy

“Kings are the slaves of history.”

Leo Tolstoy

“In spite of Stepan Arkadyevitch's efforts to be an attentive father and husband, he never could keep in his mind that he had a wife and children.”

Leo Tolstoy

“There are two aspects to the life of every man: the personal life, which is free in proportion as its interests are abstract, and the elemental life of the swarm, in which a man must inevitably follow the laws laid down for him. Consciously a man lives on his own account in freedom of will, but he serves as an unconscious instrument in bringing about the historical ends of humanity. An act he has once committed is irrevocable, and that act of his, coinciding in time with millions of acts of others, has an historical value. The higher a man's place in the social scale, the more connections has with others, and the more power he has over them, the more conspicuous is the inevitability and predestination of every act he commits. "The hearts of kings are in the hand of God." The king is the slave of history.”

Leo Tolstoy


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