Everything that I know, I know only because I love.

Leo Tolstoy

“Speransky, either because he appreciated Prince Andrey's abilities or because he thought it as well to secure his adherence, showed off his calm, impartial sagacity before Prince Andrey, and flattered him with that delicate flattery that goes hand in hand with conceit, and consists in a tacit assumption that one's companion and oneself are the only people capable of understanding all the folly of the rest of the world and the sagacity and profundity of their own ideas.”

Leo Tolstoy

“The latter part of her stay in Voronezh had been the happiest period in Princess Marya's life. Her love for Rostov was not then a source of torment or agitation to her. That love had by then filled her whole soul and become an inseparable part of herself, and she no longer struggled against it. Of late Princess Marya was convinced- though she never clearly in so many words admitted it to herself- that she loved and was beloved.”

Leo Tolstoy

“For a few seconds they looked silently into each other's eyes, and the distant and impossible suddenly became near, possible, and inevitable.”

Leo Tolstoy

“Be bad, but at least don't be a liar, a deceiver!”

Leo Tolstoy

“In historical events great men-so called-are but the labels that serve to give a mane to an event, and like labels, they have the last possible connection with the event itself. Every action of theirs, that seems to them an act of their own free will, is in an historical sense not free at all, but in bondage to the whole course of previous history, and predestined from all eternity.”

Leo Tolstoy

“In order to understand, observe, deduce, man must first be conscious of himself as alive

Leo Tolstoy

“Then as now much time was spent arguing about the rights of women, husband-and-wife relationships and freedom and rights within marriage, but Natasha had no interest in any such questions. Questions like these, then as now, existed exclusively for people who see marriage only in terms of satisfaction given and received by the married couple, though this is only one principle of married life rather than its overall meaning, which lies in the family.”

Leo Tolstoy

“Nikolushka and his upbringing, Andre, and religion were Princess Marya's comforts and joys; but, besides that, since every human being needs his personal hope, Princess Marya had in the deepest recesses of her soul a hidden dream and hope, which provided the main comfort of her life.”

Leo Tolstoy

“Is it possible to love a woman who will never understand the profoundest interests of my life? Is it possible to love a woman simply for her beauty, to love the statue of a woman?”

Leo Tolstoy

“Her motherly instinct told her that there was too much of something in Natasha, and that it would prevent her from being happy.”

Leo Tolstoy

“Consciously a man lives on his own account in freedom of willbut he serves as an unconscious instrument in bringing about the historical ends of humanity. An act he has once committed is irrecvocable, and that act of his, coinciding in time with millions of acts of others, has an historical value... 'The hearts of kinds are in the hand of God.' The king is the slave of history... Every action that seems to them an act of their own freewill, is in an historical sense not free at all, but in bondage to the whole course of previous history, and predestined from all eternity.”

Leo Tolstoy

“Only people who are capable of loving strongly can also suffer great sorrow, but this same necessity of loving serves to counteract their grief and heals them.”

Leo Tolstoy

“To say that a work of art is good, but incomprehensible to the majority of men, is the same as saying of some kind of food that it is very good but that most people can’t eat it.”

Leo Tolstoy

“He knew that Vronsky could not be prevented from amusing himself with painting; he knew that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to him. A man could not be prevented from making himself a big wax doll, and kissing it. But if the man were to come with the doll and sit before a man in love, and began caressing his doll as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both ludicrous and irritating, both pitiable and offensive.”

Leo Tolstoy


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