“Happiness is an allegory, unhappiness a story.”
―
Leo Tolstoy
“If so many men, so many minds, certainly so many hearts, so many kinds of love.”
―
Leo Tolstoy
“For if we allow that human life is always guided by reason, we destroy the premise that life
is possible at all.
―
Leo Tolstoy
“The next Post brought a reply from the starets, who wrote to him that the cause of all his
trouble lay in his pride. His Wrathful Outburst, the starets explained, had come about because
it was not for God that he had humbled himself, rejecting honours and advancement in the
church - not for God, but to satisfy his own pride, to be able to tell himself how virtuous he
was, seeking nothing for self. That was why he had not been able to endure the Superior's
conduct. Because he felt that he had given up everything for God, and now he was being put
on display, like some strange beast.
"If it were for God you had given up advancement, you would have let it pass.
worldly pride is still alive in you.”
―
Leo Tolstoy
“The two most powerful warriors are patience and time.
―
Leo Tolstoy
“This was his acknowledgment of the impossibility of changing a man's convictions by
words, and his recognition of the possibility of everyone thinking, feeling, and seeing things
each from his own point of view. This legitimate peculiarity of each individual which used to
excite and irritate Pierre now became a basis of the sympathy he felt for, and the interest he
took in, other people. The difference, and sometimes complete contradiction, between men's
opinions and their lives, and between one man and another, pleased him and drew from him
an amused and gentle smile.
―
Leo Tolstoy
“I think love, both kinds of love, which you remember Plato defines in his "Symposium" -
both kinds of love serve a touchstone for men. Some men understand only the one, some only
the other. Those who understand only the non-platonic love need not speak of tragedy. For
such love there can be no tragedy. "Thank you kindly for the pleasure, good bye," and that's
the whole tragedy. And for the platonic love there can be no tragedy either, because there
everything is clear and pure.”
―
Leo Tolstoy
“Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie
such a knot, that when it is untied, the whole man is visible.”
―
Leo Tolstoy
“Life meanwhile, the actual life of men with their real interests of health and sickness, labour
and rest, with their interests of thought, science, poetry, music, love, affection, hatred, passion,
went its way, as always, independently, apart from the political amity or enmity of Napoleon
Bonaparte, and apart from all possible reforms.”
―
Leo Tolstoy
“In that brief glance Vronsky has time to notice the restrained animation that played over
her face and fluttered between her shining eyes and the barely noticeable smile that curved
her red lips. It was as if a surplus of something so overflowed her being that it expressed itself
beyond her will, now in the brightness of her glance, now in her smile. She deliberately
extinguished the light in her her eyes, but it shone against her will in a barely noticeable
smile.”
―
Leo Tolstoy
“So he lived, not knowing and not seeing any chance of knowing what he was and for what
purpose he had been placed in the word.”
―
Leo Tolstoy
“Napoleon, the man of genius, did this! But to say that he destroyed his army because he
wished to, or because he was very stupid, would be as unjust as to say that he had brought
his troops to Moscow because he wished to and because he was very clever and a genius”
―
Leo Tolstoy
“In spite of Stepan Arkadyevitch's efforts to be an attentive father and husband, he never
could keep in his mind that he had a wife and children.”
―
Leo Tolstoy
“Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's
flattering me," thought the princess, and she turned away and went on reading. Julie, however,
was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous
(sometimes it was as if rays of light came from them in sheaves), were so beautiful that very
often, despite the unattractiveness of the whole face, those eyes were more attractive than
beauty. But the princess had never seen the good expression of thise eyes, the expression
they had in moments when she was not thinking of herself. As with all people, the moment she
looked in the mirror, her face assumed a strained, unnatural, bad expression.”
―
Leo Tolstoy
