“Nikolushka and his upbringing, Andre, and religion were Princess Marya's comforts and joys; but, besides that, since every human being needs his personal hope, Princess Marya had in the deepest recesses of her soul a hidden dream and hope, which provided the main comfort of her life.”

“All the girls in the world were divided into two classes: one class included all the girls in the world except her, and they had all the usual human feelings and were very ordinary girls; while the other class -herself alone- had no weaknesses and was superior to all humanity.”

“We exchanged disagreeable remarks. The impression of this first quarrel was terrible. I say quarrel, but the term is inexact. It was the sudden discovery of the abyss that had been dug between us.”

“He felt now that he was not simply close to her, but that he did not know where he ended and she began.”

“Her face was brilliant and glowing; but this glow was not one of brightness; it suggested the fearful glow of a conflagration in the midst of a dark night.”

“And indeed, if Evgeny Irtenev was mentally ill, then all people are just as mentally ill, and the most mentally ill are undoubtably those who see signs of madness in others that they do not see in themselves.”

“When Mother smiled, no matter how nice her face had been before, it became incomparably nicer and everything around seemed to brighten up as well.”

“He felt himself, and did not want to be anyone else. All he wanted now was to be better than before.”

“Music makes me forget my real situation. It transports me into a state which is not my own. Under the influence of music I really seem to feel what I do not feel, to understand what I do not understand, to have powers which I cannot have. Music seems to me to act like yawning or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to laugh, I laugh when I hear others laugh. And music transports me immediately into the condition of soul in which he who wrote the music found himself at that time. ~The Kreutzer Sonata”

“But that had been grief--this was joy. Yet that grief and this joy were alike outside all the ordinary conditions of life; they were loopholes, as it were, in that ordinary life through which there came glimpses of something sublime. And in the contemplation of this sublime something the soul was exalted to inconceivable heights of which it had before had no conception, while reason lagged behind, unable to keep up with it.”

“I shall go on in the same way, losing my temper...there will be still the same wall between the holy of holies of my soul and other people...but my life now, my whole life apart from anything that can happen to me, every minute of it is no more meaningless, as it was before, but it has the positive meaning of goodness, which I have the power to put into it.”

“We are forced to fall back on fatalism as an explanation of irrational events (that is to say, events the reasonableness of which we do not understand).”

“Yes, it is very likely that I shall be killed tomorrow,’ he thought. And suddenly at this thought of death a whole series of most distant, most intimate, memories rose in his imagination: he remembered his last parting from his father and his wife; he remembered the days when he first loved her. He thought of her pregnancy and felt sorry for her and for himself, and in a nervously emotional and softened mood he went out of the hut in which he was billeted with Nesvitsky and began to walk up and down before it.”

“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast, neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to it. His arms grow weak and he knows that he will soon have to resign himself to the death that awaits him on either side. Yet he still clings on, and while he is holding on to the branch he looks around and sees that two mice, one black and one white, are steadily working their way round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and knows that he will inevitably perish. But while he is still hanging there he sees some drops of honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me, ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white mouse and the black mouse – day and night – are gnawing at the branch from which I am hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them. And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.

“Our profession is dreadful, writing corrupts the soul.”