“Natasha, in her lilac silk dress trimmed with black lace walked, as women can walk, with the more repose and stateliness the greater the pain and shame in her soul.”

― Leo Tolstoy

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

― Leo Tolstoy

“Moreover, during his wife's confinement, something had happened that seemed extraordinary to him. He, an unbeliever, had fallen into praying, and at the moment he prayed, he believed. But that moment had passed, and he could not make his state of mind at that moment fit into the rest of his life.”

― Leo Tolstoy

“One need only posit some threat to the public tranquility and any action can be justified. All the horrors of the reign of terror were based on concern for public tranquility.” ―

― Leo Tolstoy

“He had the unlucky capacity many men have of seeing and believing in the possibility of goodness and truth, but of seeing the evil and falsehood of life too clearly to take any serious part in it.”

― Leo Tolstoy

“it's much better to do good in a way that no one knows anything about it.”

― Leo Tolstoy

“As a house can be only be built satisfactorily and durably when there is a foundation, and a picture can be painted only when there is something prepared to paint it on, so carnal love is only legitimate, reasonable, and lasting when it is based on the respect and love of one human being for another.”

― Leo Tolstoy

“To say that a work of art is good, but incomprehensible to the majority of men, is the same as saying of some kind of food that it is very good but that most people can’t eat it.”

― Leo Tolstoy

“The simplest and shortest ethical precept is to be served as little as possible . . . and to serve others as much as possible.”

― Leo Tolstoy

“How strange, extraordinary, and joyful it was to her to think that her son - the little son, whose tiny limbs had faintly stirred within her twenty years ago, for whose sake she had so often quarreled with the count, who would spoil him, the little son, who had first learnt to say grusha, and then had learnt to say baba - that that son was now in a foreign land, in strange surroundings, a manly warrior, alone without help or guidance, doing there his proper manly work. All the world-wide experience of ages, proving that children do imperceptibly from the cradle grow up into men, did not exist for the countess. The growth of her son had been for her at every strage of his growth just as extraordinary as though millions of millions of men had not grown up in the same way. Just as, twenty years before, she could not believe that the little creature that was lying somewhere under her heart, would one day cry and learn to talk, now she could not believe that the same little creature could be that strong, brave man, that paragon of sons and of men that, judging by this letter, he was now.”

― Leo Tolstoy

“Consciously a man lives on his own account in freedom of willbut he serves as an unconscious instrument in bringing about the historical ends of humanity. An act he has once committed is irrecvocable, and that act of his, coinciding in time with millions of acts of others, has an historical value... 'The hearts of kinds are in the hand of God.' The king is the slave of history... Every action that seems to them an act of their own freewill, is in an historical sense not free at all, but in bondage to the whole course of previous history, and predestined from all eternity.”

― Leo Tolstoy

“The march of humanity, springing as it does from an infinite multitude of individual wills, is continuous.”

― Leo Tolstoy

“Come, what did I say, repeat it? he would ask. But I could never repeat anything, so ludicrous it seemed that he should talk to me, not of himself or me, but of something else, as though it mattered what happened outside us. Only much later I began to have some slight understanding of his cares and to be interested in them.”

― Leo Tolstoy

“Is it really possible to tell someone else what one feels?”

― Leo Tolstoy

“Because of the self-confidence with which he had spoken, no one could tell whether what he said was very clever or very stupid.

― Leo Tolstoy


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