“There are no conditions to which a man cannot become used, especially if he sees that all
around him are living in the same way.”
―
Leo Tolstoy
“So you make a sacrifice!' he threw special emphasis on the last word. 'Well, so do I. What
could be better? We complete in generosity--what an example of family happiness!”
―
Leo Tolstoy
“Constant idleness should be included in the tortures of hell, but it is, on the contrary,
considered to be one of the joys of paradise.”
―
Leo Tolstoy
“in infinite space and time everything develops, becomes more perfect and more complex,
is differentiated",is to say nothing at all. Those are all words with no meaning, for in the infinite
is neither complex nor simple, no forward nor backward, or better or worse.”
―
Leo Tolstoy
“...but most of all he liked to listen to stories of real life. He smiled gleefully as he listened to
such stories, putting in words and asking questions, all aiming at bringing out clearly the moral
beauty of the action of which he was told. Attachments, friendships, love, as Pierre understood
them, Karataev had none, but he loved and lived on affectionate terms with every creature
with whom he was thrown in life, and especially so with man- not with any particular man, but
with the men that happened to be before his eyes.
But his life, as he looked at it, had no meaning as a separate life. It only had meaning as part
of a whole, of which he was at all times conscious.”
―
Leo Tolstoy
“Well, pray if you like, only you'd do better to use your judgment.”
―
Leo Tolstoy
“Each man lives for himself, uses his freedom to achieve his personal goals, and feels with
his whole being that right now he can or cannot do such-and-such an action; but as soon as
he does it, this action, committed at a certain moment in time, becomes irreversible, and
makes itself the property of history, in which is has not a free but a predestined significance. ”
―
Leo Tolstoy
“It is not beauty that endears, it's love that makes us see beauty.”
―
Leo Tolstoy
“if they hadn’t both been pretending, but had had what is called a heart-to-heart talk, that is,
simply told each other just what they were thinking and feeling, then they would just have
looked into each other’s eyes, and Constantine would only have said: ‘You’re dying, dying,
dying!’ – while Nicholas would simply have replied: ‘I know I’m dying, but I’m afraid, afraid,
afraid!’ That’s all they would have said if they’d been talking straight from the heart. But it was
impossible to live that way, so Levin tried to do what he’d been trying to do all his life without
being able to, what a great many people could do so well, as he observed, and without which
life was impossible: he tried to say something different from what he thought, and he always
felt it came out false, that his brother caught him out and was irritated by it.”
―
Leo Tolstoy
“Ah, if everyone was as sensitive as you! There's no girl who hasn't gone through that. And
it's all so unimportant!”
―
Leo Tolstoy
“Just imagine the existence of a man - let us call him A - who has left youth far behind, and
of a woman whom we may call B, who is young and happy and has seen nothing as yet of life
or of the world. Family circumstances of various kinds brought them together, and he grew to
love her as a daughter, and had no fear that his love would change its nature. But he forgot
that B was so young, that life was still a May-game to her and that it was easy to fall in love
with her in a different way, and that this would amuse her. He made a mistake and was
suddenly aware of another feeling, as heavy as remorse, making its way into his heart, and he
was afraid. He was afraid that their old friendly relations would be destroyed, and he made up
his mind to go away before that happened.”
―
Leo Tolstoy
“Reason is often the slave of sin; it strives to justify it.”
―
Leo Tolstoy
“Anna spoke not only naturally and intelligently, but intelligently and casually, without
attaching any value to her own thoughts, yet giving great value to the thoughts of the one she
was talking to.”
―
Leo Tolstoy
“No matter when, at whatever moment, if she were asked what she was thinking about she
could reply quite correctly - one thing, her happiness and her unhappiness.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
