“In external ways Pierre had hardly changed at all. In appearance he was just what he used
to be. As before he was absent-minded and seemed occupied not with what was before his
eyes but with something special of his own. The difference between his former and present
self was that formerly when he did not grasp what lay before him or was said to him, he had
puckered his forehead painfully as if vainly seeking to distinguish something at a distance. At
present he still forgot what was said to him and still did not see what was before his eyes, but
he now looked with a scarcely perceptible and seemingly ironic smile at what was before him
and listened to what was said, though evidently seeing and hearing something quite different.
Formerly he had appeared to be a kindhearted but unhappy man, and so people had been
inclined to avoid him. Now a smile at the joy of life always played round his lips, and sympathy
for others shone in his eyes with a questioning look as to whether they were as contented as
he was, and people felt pleased by his presence.”
―
Leo Tolstoy
“He looked at her as a man looks at a faded flower he has gathered , with difficulty
recognizing the beauty for which he picked and ruined it.”
―
Leo Tolstoy
In those days also people loved, envied, sought truth and virtue, and where carried away by
passions; and there was the same complex mental and moral life among the upper classes,
where were in some instances even more refined than now. If we have come to believe in the
perversity and coarse violence of that period, that is only because the traditions, memoirs,
stories, and novels that have been handed to us, record for the most part exceptional cases of
violence and brutality. To suppose that the predominant characteristic of that period was
turbulence, is as unjust as it would before a man, seeing nothing but the tops of trees beyond
a hill, to conclude that there was nothing to be found in that locality but trees.”
―
Leo Tolstoy
“He stepped down, trying not to look long at her, as if she were the sun, yet he saw her, like
the sun, even without looking.”
―
Leo Tolstoy
“A man of the present day, whether he believes in the divinity of Christ or not, cannot fail to
see that to assist in the capacity of tzar, minister, governor, or commissioner in taking from a
poor family its last cow for taxes to be spent on cannons, or on the pay and pensions of idle
officials, who live in luxury and are worse than useless; or in putting into prison some man we
have ourselves corrupted, and throwing his family on the streets; or in plundering and
butchering in war; or in inculcating savage and idolatrous superstitious in the place of the lawof Christ; or in impounding the cow found on one's land, though it belongs to a man who has
no land; or to cheat the workman in a factory, by imposing fines for accidentally spoiled
articles; or making a poor man pay double the value for anything simply because he is in the
direst poverty;--not a man of the present day can fail to know that all these actions are base
and disgraceful, and that they need not do them. They all know it. ”
―
Leo Tolstoy
Those two drops of honey, which more than all else had diverted my eyes from the cruel
truth, my love for my family and for my writing, which I called art – I no longer found sweet.
―
Leo Tolstoy
“All, everything that I understand, I understand only because I love.”
―
Leo Tolstoy
“At the time we were all convinced that we had to speak, write,and publish as quickly as
possible and as much as possible and that this was necessary for the good of mankind.
Thousands of us published and wrote in an effort to teach others, all the while disclaiming and
abusing one another. Without taking note of the fact that we knew nothing, that we did not
know the answer to the simplest question of life, the question of what is right and what is
wrong, we all went on talking without listening to one another.”
―
Leo Tolstoy
“Moreover, during his wife's confinement, something had happened that seemed
extraordinary to him. He, an unbeliever, had fallen into praying, and at the moment he prayed,
he believed. But that moment had passed, and he could not make his state of mind at that
moment fit into the rest of his life.”
―
Leo Tolstoy
“They ought to find out how to vaccinate for love, like smallpox.”
―
Leo Tolstoy
Now, however, he had learned to see the great, the eternal, the infinite in everything, and
therefore, in order to look at it, to enjoy his contemplation of it, he naturally discarded teh
telescope through which he had till then been gazing over the heads of men, and joyfully
surveyed the ever-changeing, eternally great, unfathomable, and infinite life around him. And
the closer he looked, the happier and more seren he was. The awful question: What for? a
simple answer was now always ready in his soul: Because there is a God, that God without
whose will not one hair of a man's head falls.”
―
Leo Tolstoy
“I was wrong when I said that I did not regret the past. I do regret it; I weep for the past love
which can never return. Who is to blame, I do not know. Love remains, but not the old love; its
place remains, but it is all wasted away and has lost all strength and substance; recollections
are still left, and gratitude; but...”
―
Leo Tolstoy
“The most difficult subjects can be explained to the most slow-witted man if he has not
formed any idea of them already; but the simplest thing cannot be made clear to the most
intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt,
what is laid before him.”
―
Leo Tolstoy
Everything that I know, I know only because I love.
―
Leo Tolstoy
“Music makes me forget myself, my real position; it transports me to some other position
not my own. Under the influence of music it seems to me that I feel what I do not really feel,
that I understand what I do not understand, that I can do what I cannot do. I explain it by the
fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see
someone yawning; there is nothing for me to laugh at, but I laugh when I hear people
laughing.
Music carries me immediately and directly into the mental condition in which the man was who
composed it. My soul merges with his and together with him I pass from one condition into
another, but why this happens I don't know.”
―
Leo Tolstoy
