“A Frenchman's self-assurance stems from his belief that he is mentally and physically
irresistibly fascinating to both men and women. An Englishman's self-assurance is founded on
his being a citizen of the best organized state in the world and on the fact that, as an
Englishman, he always knows what to do, and that whatever he does as an Englishman is
unquestionably correct. An Italian is self-assured because he is excitable and easily forgets. A
Russian is self-assured simply because he knows nothing and does not want to know
anything, since he does not believe in the possibility of knowing anything fully.”
―
Leo Tolstoy
“Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's
flattering me," thought the princess, and she turned away and went on reading. Julie, however,
was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous
(sometimes it was as if rays of light came from them in sheaves), were so beautiful that very
often, despite the unattractiveness of the whole face, those eyes were more attractive than
beauty. But the princess had never seen the good expression of thise eyes, the expression
they had in moments when she was not thinking of herself. As with all people, the moment she
looked in the mirror, her face assumed a strained, unnatural, bad expression.”
―
Leo Tolstoy
“This child, with his naive outlook on life was the compass which showed them the degree
of their departure from what they knew but did not want to know.”
―
Leo Tolstoy
“Everything I know...I know because I love"
―
Leo Tolstoy
“And for him, who lived in a certain circle, and who required some mental activity such as
usually develops with maturity, having views was as necessary as having a hat.”
―
Leo Tolstoy
“When the examination was over, the doctor looked at his watch, and then Praskovya
Fyodorovna informed Ivan Ilyich that it must of course be as he liked, but she had sent today
for a celebrated doctor, and that he would examine him, and have a consultation with Mihail
Danilovich (that was the name of his regular doctor). 'Don't oppose it now, please. This I'm
doing entirely for my own sake,' she said ironically, meaning it to be understood that she was
doing it all for his sake, and was only saying this to give him no right to refuse her request. He
lay silent, knitting his brows. He felt that he was hemmed in by such a tangle of falsity that it
was hard to disentangle anything from it. Everything she did for him was entirely for her own
sake, and she told him she was doing for her own sake what she actually was doing for her
own sake as something so incredible that he would take it as meaning the opposite.”
―
Leo Tolstoy
“Just as a painter needs light in order to put the finishing touches to his picture, so I need
an inner light, which I feel I never have enough of in the autumn.”
―
Leo Tolstoy
“Vronsky saw nothing and no one. He felt himself as a king, not because she had made an
impression on Anna-he did not yet believe that-but because the impression she had made on
him gave him happiness and pride.”
―
Leo Tolstoy
“In that brief glance Vronsky had time to notice the restrained animation that played over
her face and fluttered between her shining eyes and the barely noticeable smile that curved
her red lips. It was as if a surplus of something so overflowed her being that it expressed itself
beyond her will, now in the brightness of her glance, now in her smile.”
―
Leo Tolstoy
“Just imagine the existence of a man - let us call him A - who has left youth far behind, and
of a woman whom we may call B, who is young and happy and has seen nothing as yet of life
or of the world. Family circumstances of various kinds brought them together, and he grew to
love her as a daughter, and had no fear that his love would change its nature. But he forgot
that B was so young, that life was still a May-game to her and that it was easy to fall in love
with her in a different way, and that this would amuse her. He made a mistake and was
suddenly aware of another feeling, as heavy as remorse, making its way into his heart, and he
was afraid. He was afraid that their old friendly relations would be destroyed, and he made up
his mind to go away before that happened.”
―
Leo Tolstoy
“There is nothing certain, nothing at all except the unimportance of everything I understand,
and the greatness of something incomprehensible but all-important.”
―
Leo Tolstoy
“He looked at her as a man might look at a faded flower he had plucked, in which it was
difficult for him to trace the beauty that had made him pick and so destroy it”
―
Leo Tolstoy
“When a man sees a dying animal, horror comes over him: that which he himself is, his
essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying
one is a person, and a beloved person, then, besides a sense of horror at the annihilation of
life, there is a feeling of severance and a spiritual wound which, like a physical wound,
sometimes kills and sometimes heals, but always hurts and fears any external, irritating
touch.”
―
Leo Tolstoy