“He knew she was there by the rapture and the terror that seized on his heart. She was
standing talking to a lady at the opposite end of the ground. There was apparently nothing
striking either in her dress or her attitude. But for Levin she was as easy to find in that crowdas a rose among nettles. Everything was made bright by her. She was the smile that shed light
all around her.”
―
Leo Tolstoy
“Her face was brilliant and glowing; but this glow was not one of brightness; it suggested
the fearful glow of a conflagration in the midst of a dark night.”
―
Leo Tolstoy
“She danced the dance so well, so well indeed, so perfectly, that Anisya Fyodorovna, who
handed her at once the kerchief she needed in the dance, had tears in her eyes, though she
laughed as she watched that slender and graceful little countess, reared in silk and velvet,
belonging to another world than hers, who was yet able to understand all that was in Anisya
and her father and her mother and her aunt and every Russian soul.”
―
Leo Tolstoy
“A Frenchman's self-assurance stems from his belief that he is mentally and physically
irresistibly fascinating to both men and women. An Englishman's self-assurance is founded on
his being a citizen of the best organized state in the world and on the fact that, as an
Englishman, he always knows what to do, and that whatever he does as an Englishman is
unquestionably correct. An Italian is self-assured because he is excitable and easily forgets. A
Russian is self-assured simply because he knows nothing and does not want to know
anything, since he does not believe in the possibility of knowing anything fully.”
―
Leo Tolstoy
“Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's
flattering me," thought the princess, and she turned away and went on reading. Julie, however,
was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous
(sometimes it was as if rays of light came from them in sheaves), were so beautiful that very
often, despite the unattractiveness of the whole face, those eyes were more attractive than
beauty. But the princess had never seen the good expression of thise eyes, the expression
they had in moments when she was not thinking of herself. As with all people, the moment she
looked in the mirror, her face assumed a strained, unnatural, bad expression.”
―
Leo Tolstoy
“Pierre looked into the sky, into the depths of the retreating, twinkling stars. "And all this is
mine, and all this is in me, and all this is me!" thought Pierre. "And all this they've caught and
put in a shed and boarded it up!”
―
Leo Tolstoy
“Chance created the situation; genius made use of it.”
―
Leo Tolstoy
“To educate the peasantry, three things are needed: schools, schools and schools.”
―
Leo Tolstoy
“All the stories and descriptions of that time without exception peak only of the patriotism,
self-sacrifice, despair, grief, and heroism of the Russians. But in reality it was not like
that...The majority of the people paid no attention to the general course of events but were
influenced only by their immediate personal interests.”
―
Leo Tolstoy
“As long as there are slaughter houses there will always be battlefields.”
―
Leo Tolstoy
“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a
ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at
the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor
fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast,
neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So
he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to
it. His arms grow weak and he knows that he will soon have to resign himself to the death that
awaits him on either side. Yet he still clings on, and while he is holding on to the branch he
looks around and sees that two mice, one black and one white, are steadily working their way
round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it
and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and
knows that he will inevitably perish. But while he is still hanging there he sees some drops of
honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I
am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me,
ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white
mouse and the black mouse – day and night – are gnawing at the branch from which I am
hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only
one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them.
And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.
―
Leo Tolstoy
“As long as he followed the fixed definition of obscure words such as spirit, will, freedom,
essence, purposely letting himself go into the snare of words the philosophers set for him, he
seemed to comprehend something. But he had only to forget the artificial train of reasoning,
and to turn from life itself to what had satisfied him while thinking in accordance with the fixed
definitions, and all this artificial edifice fell to pieces at once like a house of cards, and it
became clear that the edifice had been built up out of those transposed words, apart from
anything in life more important than reason.”
―
Leo Tolstoy
“This was his acknowledgment of the impossibility of changing a man's convictions by
words, and his recognition of the possibility of everyone thinking, feeling, and seeing things
each from his own point of view. This legitimate peculiarity of each individual which used to
excite and irritate Pierre now became a basis of the sympathy he felt for, and the interest he
took in, other people. The difference, and sometimes complete contradiction, between men's
opinions and their lives, and between one man and another, pleased him and drew from him
an amused and gentle smile.
―
Leo Tolstoy
“Just as a painter needs light in order to put the finishing touches to his picture, so I need
an inner light, which I feel I never have enough of in the autumn.”
―
Leo Tolstoy