“Morning or night, Friday or Sunday, made no difference, everything was the same: the
gnawing, excruciating, incessant pain; that awareness of life irrevocably passing but not yet
gone; that dreadful, loathsome death, the only reality, relentlessly closing in on him; and that
same endless lie. What did days, weeks, or hours matter?”
―
Leo Tolstoy
“Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty
or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess
of stored-up energy; it is not the expression of man's emotions by external signs; it is not the
production of pleasing objects; and, above all, it is not pleasure; but it is a means of union
among men, joining them together in the same feelings, and indispensable for the life and
progress toward well-being of individuals and of humanity.”
―
Leo Tolstoy
“I don’t count life as life without love”
―
Leo Tolstoy
“Darkness had fallen upon everything for him; but just because of this darkness he felt that
the one guiding clue in the darkness was his work, and he clutched it and clung to it with all his
strength.”
―
Leo Tolstoy
“Is it really possible to tell someone else what one feels?”
―
Leo Tolstoy
“Seize the moments of happiness, love and be loved! That is the only reality in the world, all
else is folly. It is the one thing we are interested in here.”
―
Leo Tolstoy
“in infinite space and time everything develops, becomes more perfect and more complex,
is differentiated",is to say nothing at all. Those are all words with no meaning, for in the infinite
is neither complex nor simple, no forward nor backward, or better or worse.”
―
Leo Tolstoy
Pierre was for the first time at this meeting impressed by the endless multiplicity of men's
minds, which leads to no truth being ever seen by two persons alike...What Pierre chiefly
desired was always to transmit his thought to another exactly as he conceived it himself.”
―
Leo Tolstoy
“A commercial company enslaved a nation comprising two hundred millions. Tell this to a
man free from superstition and he will fail to grasp what these words mean. What does it mean
that thirty thousand men, not athletes but rather weak and ordinary people, have subdued two
hundred million vigorous, clever, capable, and freedom-loving people?”
―
Leo Tolstoy
“the children themselves repaid her griefs with small joys. These joys were so small that
they could not be seen, like gold in the sand, and in her bad moments she saw only the griefs,
only sand; but there were also good moments, when she saw only joys, only gold.”
―
Leo Tolstoy
“It's wrong, what you say, and I beg you, if you're a good man, to forget what you've said, as I
forget it," she said at last.
―
Leo Tolstoy
“Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's
flattering me," thought the princess, and she turned away and went on reading. Julie, however,
was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous
(sometimes it was as if rays of light came from them in sheaves), were so beautiful that very
often, despite the unattractiveness of the whole face, those eyes were more attractive than
beauty. But the princess had never seen the good expression of thise eyes, the expression
they had in moments when she was not thinking of herself. As with all people, the moment she
looked in the mirror, her face assumed a strained, unnatural, bad expression.”
―
Leo Tolstoy
“What are these deaths and revivals? It is clear that I do not live whenever I lose my faith in
the existence of God, and I would have killed myself long ago if I did not have some vague
hope of finding God. I truly live only whenever I am conscious of him and seek him. "What,
then, do I seek?" a voice cried out within me. "He is there, the one without whom there could
be no life." To know God and to liVe come to one and the same thing. God is life.”
―
Leo Tolstoy
“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene,
behind her back. Helene moved forward so as to make room and, smiling, glanced around. As
always at soirees, she was wearing a gown in the fashion of the time, quite open in front and
back. Her bust, which had always looked like marble to Pierre, was now such a short distance
from him that he could involuntarily make out with his nearsighted eyes the living loveliness of
her shoulders and neck, and so close to his lips that he had only to lean forward a little to
touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of
her corset as she breathed. He saw not her marble beauty, which made one with her gown, he
saw and sensed all the loveliness of her body, which was merely covered by clothes. And
once he had seen it, he could not see otherwise, as we cannot return to a once-exposed
deception.”
―
Leo Tolstoy
