“Instead of going to Paris to attend lectures, go to the public library, and you won't come out
for twenty years, if you really wish to learn.”
―
Leo Tolstoy
“A better life can only come when the consciousness of men is altered for the better; and
therefore, those who wish to improve life must direct all their efforts towards changing both
their own and other people’s consciousness.”
―
Leo Tolstoy
“The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly,
undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the
aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where
there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that
the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all
at once there came upon him an irrational, spring feeling of joy and renewal. All the best
moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead,
reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the
night, and that night and that moon- it all rushed at once into his mind.”
―
Leo Tolstoy
“Spring is the time of plans and projects.”
―
Leo Tolstoy
“Thus the truth—that his life should be directed by the spiritual element which is its basis,
which manifests itself as love, and which is so natural to man—this truth, in order to force a
way to man’s consciousness, had to struggle not merely against the obscurity with which it
was expressed and the intentional and unintentional distortions surrounding it, but also against
deliberate violence, which by means of persecutions and punishments sought to compel men
to accept religious laws authorized by the rulers and conflicting with the truth.”
―
Leo Tolstoy
“Music makes me forget myself, my real position; it transports me to some other position
not my own. Under the influence of music it seems to me that I feel what I do not really feel,
that I understand what I do not understand, that I can do what I cannot do. I explain it by the
fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see
someone yawning; there is nothing for me to laugh at, but I laugh when I hear people
laughing.
Music carries me immediately and directly into the mental condition in which the man was who
composed it. My soul merges with his and together with him I pass from one condition into
another, but why this happens I don't know.”
―
Leo Tolstoy
“Formerly (it had begun almost from childhood and kept growing till full maturity), whenever
he had tried to do something that would be good for everyone, for mankind, for Russia, for the
district, for the whole village, he had noticed that thinking about it was pleasant, but the doing
itself was always awkward, there was no full assurance that the thing was absolutely
necessary, and the doing itself, which at the start had seemed so big, kept diminishing and
diminishing, dwindling to nothing; while now, after his marriage, when he began to limit himself
more and more to living for himself, though he no longer experienced any joy at the thought of
what he was doing, he felt certain that his work was necessary, saw that it turned out much
better than before and that it was expanding more and more.”
―
Leo Tolstoy
The delusion of the joys of life that had formerly stifled my fear of the dragon no longer
deceived me. No matter how many times I am told: you cannot understand the meaning of life,
do not thinking about it but live, I cannot do so because I have already done it for too long.
Now I cannot help seeing day and night chasing me and leading me to my death. This is all I
can see because it is the only truth. All the rest is a lie
―
Leo Tolstoy
“Can it be that I have not lived as one ought?" suddenly came into his head. "But how not
so, when I've done everything as it should be done?”
―
Leo Tolstoy
“Am I mad, to see what others do not see, or are they mad who are responsible for all that I
am seeing?”
―
Leo Tolstoy
“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene,
behind her back. Helene moved forward so as to make room and, smiling, glanced around. As
always at soirees, she was wearing a gown in the fashion of the time, quite open in front and
back. Her bust, which had always looked like marble to Pierre, was now such a short distance
from him that he could involuntarily make out with his nearsighted eyes the living loveliness of
her shoulders and neck, and so close to his lips that he had only to lean forward a little to
touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of
her corset as she breathed. He saw not her marble beauty, which made one with her gown, he
saw and sensed all the loveliness of her body, which was merely covered by clothes. And
once he had seen it, he could not see otherwise, as we cannot return to a once-exposed
deception.”
―
Leo Tolstoy
“He felt himself, and did not want to be anyone else. All he wanted now was to be better
than before.”
―
Leo Tolstoy
“Quos vilt perdere dementat' Whome the gods wish to destroy, they first drive made
(Latin).”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
