“either you are so underdeveloped that you can't see all that you can do, or you won't sacrifice your ease, your vanity, or whatever it is, to do it...”

Leo Tolstoy

“There are two aspects to the life of every man: the personal life, which is free in proportion as its interests are abstract, and the elemental life of the swarm, in which a man must inevitably follow the laws laid down for him. Consciously a man lives on his own account in freedom of will, but he serves as an unconscious instrument in bringing about the historical ends of humanity. An act he has once committed is irrevocable, and that act of his, coinciding in time with millions of acts of others, has an historical value. The higher a man's place in the social scale, the more connections has with others, and the more power he has over them, the more conspicuous is the inevitability and predestination of every act he commits. "The hearts of kings are in the hand of God." The king is the slave of history.”

Leo Tolstoy

“He felt now that he was not simply close to her, but that he did not know where he ended and she began.”

Leo Tolstoy

“The only absolute knowledge attainable by man is that life is meaningless.”

Leo Tolstoy

“If a man, before he passed from one stage to another, could know his future life in full detail, he would have nothing to live for. It is the same with the life of humanity. If it had a programme of the life which awaited it before entering a new stage, it would be the surest sign that it was not living, nor advancing, but simply rotating in the same place

Leo Tolstoy

“Between Countess Nordston and Levin there had been established those relations, not infrequent in society, in which two persons, while ostensibly remaining on friendly terms, are contemptuous of each other to such a degree that they cannot even treat each other seriously and cannot even insult each one another.”

Leo Tolstoy

“I don't want to prove anything; I merely want to live, to do no one harm but myself. I have the right to do that, haven't I?”

Leo Tolstoy

“I know that most men, including those at ease with problems of the greatest complexity, can seldom accept even the simplest and most obvious truth if it be such as would oblige them to admit the falsity of conclusions which they have delighted in explaining to colleagues, which they have proudly taught to others, and which they have woven, thread by thread, into the fabric of their lives.”

Leo Tolstoy

“But it was not only by this feeling, as Varvara thought, that he was guided. Mingling with his pride, with his need always to be first, was another motive, at which Varvara did not guess - a truly religious urge. His disillusionment in Mary (his betrothed), whom he had imagined such a saint, his feeling of outrage was so cruel that he sank into despair; and despair led him - whither? To God, to the faith of his childhood, which had never lost its hold upon him.

Leo Tolstoy

“Even the strongest current of water cannot add a drop to a cup which is already full. The most difficult subjects can be explained to the most slow-witted man if he has not formed any idea of them already; but the simplest thing cannot be made clear to the most intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt, what is laid before him.”

Leo Tolstoy

“But a man’s relationship to the world is determined not just by his intellect but by his feelings and by his who aggregate of spiritual forces. However much one implies or explains to a person that all that truly exists is no more than an idea, or that everything is made up of atoms, or that the essence of life is substance or will, or that heat, light, movement and electricity are only manifestations of one and the same energy; however much you explain this to a man—a being who feels, suffers, rejoices, fears and hopes—it will not explain his place in the universe.”

Leo Tolstoy

“Though men in their hundreds of thousands had tried their hardest to disfigure that little corner of the earth where they had crowded themselves together, paving the ground with stones so that nothing could grow, weeding out every blade of vegetation, filling the air with the fumes of coal and gas, cutting down trees and driving away every beast and every bird -- spring, however, was still spring, even in the town. The sun shone warm, the grass, wherever it had not been scraped away, revived and showed green not only on the narrow strips of lawn on the boulevards but between the paving-stones as well, and the birches, the poplars and the wild cherry-trees were unfolding their sticky, fragrant leaves, and the swelling buds were bursting on the lime trees; the jackdaws, the sparrows and the pigeons were cheerfully getting their nests ready for the spring, and the flies, warmed by the sunshine, buzzed gaily along the walls. All were happy -- plants, birds, insects and children. But grown-up people -- adult men and women -- never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy -- a beauty which inclines the heart to peace, to harmony and to love. No, what they considered sacred and important were their own devices for wielding power over each other.”

Leo Tolstoy

“... for nightinggales - we know - can’t live on fairytales.”

Leo Tolstoy

“Anna had been preparing herself for this meeting, had thought what she would say to him, but she did not succeed in saying anything of it; his passion mastered her. She tried to calm him, to calm herself, but it was too late. His feeling infected her. Her lips trembled so that for a long while she could say nothing.”

Leo Tolstoy

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

Leo Tolstoy


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