“In external ways Pierre had hardly changed at all. In appearance he was just what he used
to be. As before he was absent-minded and seemed occupied not with what was before his
eyes but with something special of his own. The difference between his former and present
self was that formerly when he did not grasp what lay before him or was said to him, he had
puckered his forehead painfully as if vainly seeking to distinguish something at a distance. At
present he still forgot what was said to him and still did not see what was before his eyes, but
he now looked with a scarcely perceptible and seemingly ironic smile at what was before him
and listened to what was said, though evidently seeing and hearing something quite different.
Formerly he had appeared to be a kindhearted but unhappy man, and so people had been
inclined to avoid him. Now a smile at the joy of life always played round his lips, and sympathy
for others shone in his eyes with a questioning look as to whether they were as contented as
he was, and people felt pleased by his presence.”
―
Leo Tolstoy
“There are two aspects to the life of every man: the personal life, which is free in proportion
as its interests are abstract, and the elemental life of the swarm, in which a man must
inevitably follow the laws laid down for him.
Consciously a man lives on his own account in freedom of will, but he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrevocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value. The higher a man's place in the social scale, the more connections has
with others, and the more power he has over them, the more conspicuous is the inevitability
and predestination of every act he commits. "The hearts of kings are in the hand of God." The
king is the slave of history.”
―
Leo Tolstoy
“Darkness had fallen upon everything for him; but just because of this darkness he felt that
the one guiding clue in the darkness was his work, and he clutched it and clung to it with all his
strength.”
―
Leo Tolstoy
“marveling at this boldness and ease in her presence, and not for one second losing sight
of her, though he did not look at her. He felt as though the sun were coming near him.”
―
Leo Tolstoy
“He stepped down, avoiding any long look at her as one avoids long looks at the sun, but
seeing her as one sees the sun, without looking.”
―
Leo Tolstoy
“Man must not check reason by tradition, but contrariwise, must check tradition by reason.”
―
Leo Tolstoy
“Germans are self-confident on the basis of an abstract notion—science, that is, the
supposed knowledge of absolute truth. A Frenchman is self-assured because he regards
himself personally, both in mind and body, as irresistibly attractive to men and women. An
Englishman is self-assured, as being a citizen of the best-organized state in the world, and
therefore as an Englishman always knows what he should do and knows that all he does as
an Englishman is undoubtedly correct. An Italian is self-assured because he is excitable and
easily forgets himself and other people. A Russian is self-assured just because he knows
nothing and does not want to know anything, since he does not believe that anything can be
known.”
―
Leo Tolstoy
“Though the doctors treated him, let his blood, and gave him medications to drink, he
nevertheless recovered.”
―
Leo Tolstoy
“he was one of those diplomats who like and know how to work, and, despite his laziness,
he occasionally spent nights at his desk.”
―
Leo Tolstoy
“But she was not even grateful to him for it; nothing good on Pierre's part seemed to her to
be an effort, it seemed so natural for him to be kind to everyone that there was no merit in his
kindness.”
―
Leo Tolstoy
“Music makes me forget myself, my real position; it transports me to some other position
not my own. Under the influence of music it seems to me that I feel what I do not really feel,
that I understand what I do not understand, that I can do what I cannot do. I explain it by the
fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see
someone yawning; there is nothing for me to laugh at, but I laugh when I hear people
laughing.
Music carries me immediately and directly into the mental condition in which the man was who
composed it. My soul merges with his and together with him I pass from one condition into
another, but why this happens I don't know.”
―
Leo Tolstoy
“Well, what is that to me? I can't see her!" she cried.”
―
Leo Tolstoy
“Several times I asked myself, "Can it be that I have overlooked something, that there is
something which I have failed to understand? Is it not possible that this state of despair is
common to everyone?" And I searched for an answer to my questions in every area of
knowledge acquired by man. For a long time I carried on my painstaking search; I did not
search casually, out of mere curiosity, but painfully, persistently, day and night, like a dying
man seeking salvation. I found nothing.”
―
Leo Tolstoy
