“Germans are self-confident on the basis of an abstract notion—science, that is, the supposed knowledge of absolute truth. A Frenchman is self-assured because he regards himself personally, both in mind and body, as irresistibly attractive to men and women. An Englishman is self-assured, as being a citizen of the best-organized state in the world, and therefore as an Englishman always knows what he should do and knows that all he does as an Englishman is undoubtedly correct. An Italian is self-assured because he is excitable and easily forgets himself and other people. A Russian is self-assured just because he knows nothing and does not want to know anything, since he does not believe that anything can be known.”

Leo Tolstoy

“Ivan Ilych's life had been most simple and most ordinary and therefore most terrible.”

Leo Tolstoy

“the children themselves repaid her griefs with small joys. These joys were so small that they could not be seen, like gold in the sand, and in her bad moments she saw only the griefs, only sand; but there were also good moments, when she saw only joys, only gold.”

Leo Tolstoy

In those days also people loved, envied, sought truth and virtue, and where carried away by passions; and there was the same complex mental and moral life among the upper classes, where were in some instances even more refined than now. If we have come to believe in the perversity and coarse violence of that period, that is only because the traditions, memoirs, stories, and novels that have been handed to us, record for the most part exceptional cases of violence and brutality. To suppose that the predominant characteristic of that period was turbulence, is as unjust as it would before a man, seeing nothing but the tops of trees beyond a hill, to conclude that there was nothing to be found in that locality but trees.”

Leo Tolstoy

“The wife did not leave her own room, the husband had not been at home for three days. The children ran wild all over the house; the English governess quarreled with the housekeeper, and wrote”

Leo Tolstoy

“Why, of course," objected Stepan Arkadyevitch. "But that's just the aim of civilization—to make everything a source of enjoyment.”

Leo Tolstoy

“I think love, both kinds of love, which you remember Plato defines in his "Symposium" - both kinds of love serve a touchstone for men. Some men understand only the one, some only the other. Those who understand only the non-platonic love need not speak of tragedy. For such love there can be no tragedy. "Thank you kindly for the pleasure, good bye," and that's the whole tragedy. And for the platonic love there can be no tragedy either, because there everything is clear and pure.”

Leo Tolstoy

“We expect rewards for goodness, and punishments for the bad things which we do. Often, they are not immediately”

Leo Tolstoy

“The doctrine of Christ, which teaches love, humility, and self-denial, had always attracted me. But I found a contrary law, both in the history of the past and in the present organization of our lives – a law repugnant to my heart, my conscience, and my reason, but one that flattered my animal instincts. I knew that if I accepted the doctrine of Christ, I should be forsaken, miserable, persecuted, and sorrowing, as Christ tells us His followers will be. I knew that if I accepted that law of man, I should have the approbation of my fellow-men; I should be at peace and in safety; all possible sophisms would be at hand to quiet my conscience and I should ‘laugh and be merry,’ as Christ says. I felt this, and therefore I avoided a closer examination of the law of Christ, and tried to comprehend it in a way that should not prevent my still leading my animal life. But, finding that impossible, I desisted from all attempts at comprehension.”

Leo Tolstoy

“Everyone thinks of changing the world, but no one thinks of changing himself.”

Leo Tolstoy

“Those are the men,' added Bolkonsky with a sigh which he could not suppress, as they went out of the palace, 'those are the men who decide the fate of nations.”

Leo Tolstoy

“Art should cause violence to be set aside and it is only art that can accomplish this.”

Leo Tolstoy

“The best stories don't come from "good vs. bad" but "good vs. good.”

Leo Tolstoy

“As is always the case with a thoroughly attractive woman, her defect—the shortness of her upper lip and her half-open mouth—seemed to be her own special and peculiar form of beauty.”

Leo Tolstoy

“In actuality, it was like the homes of all people who are not really rich but who want to look rich, and therefore end up looking like one another: it had damasks, ebony, plants, carpets, and bronzes, everything dark and gleaming—all the effects a certain class of people produce so as to look like people of a certain class. And his place looked so much like the others that it would never have been noticed, though it all seemed quite exceptional to him.”

Leo Tolstoy


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