“There are two sides to the life of every man, his individual life which is the more free the
more abstract it's interests, and his elemental swarm-life in which he inevitably obeys laws laid
down for him”
―
Leo Tolstoy
“People of limited intelligence are fond of talking about "these days," imagining that they
have discovered and appraised the peculiarities of "these days" and that human nature
changes with the times.”
―
Leo Tolstoy
“When the examination was over, the doctor looked at his watch, and then Praskovya
Fyodorovna informed Ivan Ilyich that it must of course be as he liked, but she had sent today
for a celebrated doctor, and that he would examine him, and have a consultation with Mihail
Danilovich (that was the name of his regular doctor). 'Don't oppose it now, please. This I'm
doing entirely for my own sake,' she said ironically, meaning it to be understood that she was
doing it all for his sake, and was only saying this to give him no right to refuse her request. He
lay silent, knitting his brows. He felt that he was hemmed in by such a tangle of falsity that it
was hard to disentangle anything from it. Everything she did for him was entirely for her own
sake, and she told him she was doing for her own sake what she actually was doing for her
own sake as something so incredible that he would take it as meaning the opposite.”
―
Leo Tolstoy
Children's and Household Tales (German: Kinder- und Hausmärchen) is a collection of
German origin fairy tales first published in 1812 by Jacob and Wilhelm Grimm, the Brothers
Grimm. The collection is commonly known today as Grimms' Fairy Tales (German: Grimms
Märchen).”
―
Leo Tolstoy
“Rummaging in our souls, we often dig up something that ought to have lain there unnoticed. ”
―
Leo Tolstoy
“He was in a fairy kingdom where everything was possible.
He looked up at the sky. And the sky was a fairy realm like the earth. It was clearing, and over
the tops of the trees clouds were swiftly sailing as if unveiling the stars.”
―
Leo Tolstoy
“And once he had seen this, he could never again see it otherwise, just as we cannot
reconstruct an illusion once it has been explained.”
―
Leo Tolstoy
“One step beyond that boundary line which resembles the line dividing the living from the
dead lies uncertainty, suffering, and death. And what is there? Who is there?--there beyond
that field, that tree, that roof lit up by the sun? No one knows, but one wants to know. You fear
and yet long to cross that line, and know that sooner or later it must be crossed and you will
have to find out what is there, just as you will inevitably have to learn what lies the other side
of death. But you are strong, healthy, cheerful, and excited, and are surrounded by other such
excitedly animated and healthy men.”
―
Leo Tolstoy
“A man is like a fraction whose numerator is what he is and whose denominator is what he
thinks of himself. The larger the denominator, the smaller the fraction.”
―
Leo Tolstoy
“You need feeling, emotion, to create. You can't create out of indifference.”
―
Leo Tolstoy
“One step across the dividing line, so like the one between the living and the dead and you
enter an unknown world of suffering and death. What will you find there? Who will be there?
There, just just beyond the field, that tree, that sunlit roof? No one knows, and yet you want to
know. You dread crossing that line, and yet you want to cross it. You know sooner or later you
will have to go across and find out what is there beyond it, just as you must inevitably found
out what lies beyond death. Yet here you are, fit and strong, carefree and excited, with men all
around you just the same- strong, excited and full of life.' This is what all men think when they
get sight of the enemy, or they feel it if they do not think it, and it is this feeling that gives a
special lustre and a delicious edge to the awareness of everything that is now happening.”
―
Leo Tolstoy
“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene,
behind her back. Helene moved forward so as to make room and, smiling, glanced around. As
always at soirees, she was wearing a gown in the fashion of the time, quite open in front and
back. Her bust, which had always looked like marble to Pierre, was now such a short distance
from him that he could involuntarily make out with his nearsighted eyes the living loveliness of
her shoulders and neck, and so close to his lips that he had only to lean forward a little to
touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of
her corset as she breathed. He saw not her marble beauty, which made one with her gown, he
saw and sensed all the loveliness of her body, which was merely covered by clothes. And
once he had seen it, he could not see otherwise, as we cannot return to a once-exposed
deception.”
―
Leo Tolstoy
