“Man must not check reason by tradition, but contrariwise, must check tradition by reason.”
―
Leo Tolstoy
“Our existence is now so entirely in contradiction with the doctrine of Jesus, that only with
the greatest difficulty can we understand its meaning. We have been so deaf to the rules of life
that he has given us, to his explanations,—not only when he commands us not to kill, but
when he warns us against anger, when he commands us not to resist evil, to turn the other
cheek, to love our enemies; we are so accustomed to speak of a body of men especially
organized for murder, as a Christian army, we are so accustomed to prayers addressed to the
Christ for the assurance of victory, we who have made the sword, that symbol of murder, an
almost sacred object (so that a man deprived of this symbol, of his sword, is a dishonored
man); we are so accustomed, I say, to this, that the words of Jesus seem to us compatible
with war. We say, "If he had forbidden it, he would have said so plainly." We forget that Jesus
did not foresee that men having faith in his doctrine of humility, love, and fraternity, could ever,
with calmness and premeditation, organize themselves for the murder of their brethren.”
―
Leo Tolstoy
“When one's head is gone one doesn't weep over one's hair!”
―
Leo Tolstoy
“In spite of Stepan Arkadyevitch's efforts to be an attentive father and husband, he never
could keep in his mind that he had a wife and children.”
―
Leo Tolstoy
“If so many men, so many minds, certainly so many hearts, so many kinds of love.”
―
Leo Tolstoy
“We love people not so much for the good they've done us, as for the good we've done
them.”
―
Leo Tolstoy
“Nothing but ambition, nothing but the desire to get on, that's all there is in his soul," she
thought; "as for these lofty ideals, love of culture, religion, they are only so many tools for
getting on.”
―
Leo Tolstoy
“There are as many kinds of love, as there are hearts”
―
Leo Tolstoy
“He knew she was there by the rapture and the terror that seized on his heart. She was
standing talking to a lady at the opposite end of the ground. There was apparently nothing
striking either in her dress or her attitude. But for Levin she was as easy to find in that crowdas a rose among nettles. Everything was made bright by her. She was the smile that shed light
all around her.”
―
Leo Tolstoy
“Music makes me forget myself, my real position; it transports me to some other position
not my own. Under the influence of music it seems to me that I feel what I do not really feel,
that I understand what I do not understand, that I can do what I cannot do. I explain it by the
fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see
someone yawning; there is nothing for me to laugh at, but I laugh when I hear people
laughing.
Music carries me immediately and directly into the mental condition in which the man was who
composed it. My soul merges with his and together with him I pass from one condition into
another, but why this happens I don't know.”
―
Leo Tolstoy
“I was wrong when I said that I did not regret the past. I do regret it; I weep for the past love
which can never return. Who is to blame, I do not know. Love remains, but not the old love; its
place remains, but it is all wasted away and has lost all strength and substance; recollections
are still left, and gratitude; but...”
―
Leo Tolstoy
“The difference between what he had been then and what he now was, was
enormous...Then he was free and fearless...now he felt himself caught in the meshes of a
stupid, empty, valueless, frivolous life...He remembered how proud he was at one time of his
straightforwardness, how he had made a rule of always speaking the truth...and he was now
sunk deep in lies...lies considered as truth by all who surrounded him.”
―
Leo Tolstoy
“The higher a man stands on the social ladder, the greater the number of people he is
connected with, the more power he has over other people, the more obvious is the
predestination and inevitability of his every action.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
