“But the princess had never seen the beautiful expression of her eyes; the expression that
came into them when she was not thinking of herself. As is the case with everyone, her face
assumed an affected, unnatural, ugly expression as soon as she looked in the looking glass.”
―
Leo Tolstoy
“Just imagine the existence of a man - let us call him A - who has left youth far behind, and
of a woman whom we may call B, who is young and happy and has seen nothing as yet of life
or of the world. Family circumstances of various kinds brought them together, and he grew to
love her as a daughter, and had no fear that his love would change its nature. But he forgot
that B was so young, that life was still a May-game to her and that it was easy to fall in love
with her in a different way, and that this would amuse her. He made a mistake and was
suddenly aware of another feeling, as heavy as remorse, making its way into his heart, and he
was afraid. He was afraid that their old friendly relations would be destroyed, and he made up
his mind to go away before that happened.”
―
Leo Tolstoy
“A man on a thousand mile walk has to forget his goal and say to himself every morning,
'Today I'm going to cover twenty-five miles and then rest up and sleep.”
―
Leo Tolstoy
“Quos vilt perdere dementat' Whome the gods wish to destroy, they first drive made
(Latin).”
―
Leo Tolstoy
“And the light by which she had read the book filled with troubles, falsehoods, sorrow, and
evil, flared up more brightly than ever before, lighted up for her all that had been in darkness,
flickered, began to grow dim, and was quenched forever.”
―
Leo Tolstoy
“To live in the needs of the day, find forgetfulness.”
―
Leo Tolstoy
“All happy families are alike; each unhappy family is unhappy in its own way.”
―
Leo Tolstoy
“What energy!' I thought. 'Man has conquered everything, and destroyed millions of plants,
yet this one won't submit.”
―
Leo Tolstoy
“At the advent of danger there are always two voices that speak with equal force in the
human heart: one very reasonably invites a man to consider the nature of the peril and the
means of escaping it; the other, with a still greater show of reason, argues that it is too
depressing and painful to think of the danger since it is not in man's power to foresee
everything and avert the general march of events, and it is better therefore to shut one's eyes
to the disagreeable until it actually comes, and to think instead of what is pleasant. When a
man is alone he generally listens to the first voice; in the company of his fellow-men, to the
second.”
―
Leo Tolstoy
“There is nothing certain, nothing at all except the unimportance of everything I understand,
and the greatness of something incomprehensible but all-important.”
―
Leo Tolstoy
“the children themselves repaid her griefs with small joys. These joys were so small that
they could not be seen, like gold in the sand, and in her bad moments she saw only the griefs,
only sand; but there were also good moments, when she saw only joys, only gold.”
―
Leo Tolstoy
“...the majority of men do not think in order to know the truth, but in order to assure
themselves that the life which they lead, and which is agreeable and habitual to them, is the
one which coincides with the truth.”
―
Leo Tolstoy
“Music makes me forget myself, my real position; it transports me to some other position
not my own. Under the influence of music it seems to me that I feel what I do not really feel,
that I understand what I do not understand, that I can do what I cannot do. I explain it by the
fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see
someone yawning; there is nothing for me to laugh at, but I laugh when I hear people
laughing.
Music carries me immediately and directly into the mental condition in which the man was who
composed it. My soul merges with his and together with him I pass from one condition into
another, but why this happens I don't know.”
―
Leo Tolstoy
“In actuality, it was like the homes of all people who are not really rich but who want to look
rich, and therefore end up looking like one another: it had damasks, ebony, plants, carpets,
and bronzes, everything dark and gleaming—all the effects a certain class of people produce
so as to look like people of a certain class. And his place looked so much like the others that it
would never have been noticed, though it all seemed quite exceptional to him.”
―
Leo Tolstoy