“Natasha, in her lilac silk dress trimmed with black lace walked, as women can walk, with
the more repose and stateliness the greater the pain and shame in her soul.”
―
Leo Tolstoy
“The difference between real material poison and intellectual poison is that most material
poison is disgusting to the taste, but intellectual poison, which takes the form of cheap
newspapers or bad books, can unfortunately sometimes be attractive.”
―
Leo Tolstoy
“The higher a man stands on the social ladder, the greater the number of people he is
connected with, the more power he has over other people, the more obvious is the
predestination and inevitability of his every action.”
―
Leo Tolstoy
“no disease suffered by a live man can be known, for every living person has his own
peculiarities and always has his own peculiar, personal, novel, complicated disease, unknown
to medicine -- not a disease of the lungs, liver, skin, heart, nerves, and so on mentioned in
medical books, but a disease consisting of one of the innumerable combinations of the
maladies of those organs. This simple thought could not occur to the doctors (as it cannot
occur to a wizard that he is unable to work his charms) because the business of their lives was
to cure, and they received money for it and had spent the best years of their lives on that
business. But above all that thought was kept out of their minds by the fact that they saw they
were really useful [...] Their usefulness did not depend on making the patient swallow
substances for the most part harmful (the harm was scarcely perceptible because they were
given in small doses) but they were useful, necessary, and indispensable because they
satisfied a mental need of the invalid and those who loved her -- and that is why there are, and
always will be, pseudo-healers, wise women, homoeopaths, and allopaths. They satisfied that
eternal human need for hope of relief, for sympathy, and that something should be done,
which is felt by those who are suffering.”
―
Leo Tolstoy
“Pierre was one of those people who are strong only when they feel themselves perfectly
pure.”
―
Leo Tolstoy
“One step across the dividing line, so like the one between the living and the dead and you
enter an unknown world of suffering and death. What will you find there? Who will be there?
There, just just beyond the field, that tree, that sunlit roof? No one knows, and yet you want to
know. You dread crossing that line, and yet you want to cross it. You know sooner or later you
will have to go across and find out what is there beyond it, just as you must inevitably found
out what lies beyond death. Yet here you are, fit and strong, carefree and excited, with men all
around you just the same- strong, excited and full of life.' This is what all men think when they
get sight of the enemy, or they feel it if they do not think it, and it is this feeling that gives a
special lustre and a delicious edge to the awareness of everything that is now happening.”
―
Leo Tolstoy
“Lord have mercy! Pardon and help us!" he repeated the words that suddenly and
unexpectedly sprang to his lips. And he, an unbeliever, repeated those words not with his lips
only. At that instant he knew that neither his doubts nor the impossibility of believing with his
reason- of which he was conscious- all prevented his appealing to God. It all flew off like dust.
To whom should he appeal, if not to Him in whose hands he felt himself, his soul, and his love,
to be?
―
Leo Tolstoy
“The law of God is not to return evil for evil; indeed, if you try in this way to stamp out
wickedness it will come upon you all the stronger. It is not difficult for you to kill the man, but
his blood will surely stain your own soul. You may think you have killed a bad man--that you
have gotten rid of evil--but you will soon find out that the seeds of still greater wickedness
have been planted within you.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“When a man sees a dying animal, horror comes over him: that which he himself is, his
essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying
one is a person, and a beloved person, then, besides a sense of horror at the annihilation of
life, there is a feeling of severance and a spiritual wound which, like a physical wound,
sometimes kills and sometimes heals, but always hurts and fears any external, irritating
touch.”
―
Leo Tolstoy
“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a
ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at
the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor
fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast,
neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So
he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to
it. His arms grow weak and he knows that he will soon have to resign himself to the death that
awaits him on either side. Yet he still clings on, and while he is holding on to the branch he
looks around and sees that two mice, one black and one white, are steadily working their way
round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it
and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and
knows that he will inevitably perish. But while he is still hanging there he sees some drops of
honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I
am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me,
ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white
mouse and the black mouse – day and night – are gnawing at the branch from which I am
hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only
one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them.
And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.
―
Leo Tolstoy
“God forgive me everything!’ she said, feeling the impossibility of struggling...”
―
Leo Tolstoy
“Anna spoke not only naturally and intelligently, but intelligently and casually, without
attaching any value to her own thoughts, yet giving great value to the thoughts of the one she
was talking to.”
―
Leo Tolstoy
“But perhaps it is always so, that men form their conceptions from fictitious, conventional
types, and then—all the combinations made—they are tired of the fictitious figures and begin
to invent more natural, true figures.”
―
Leo Tolstoy