“It occurred to her that mercy was the ability to stop, if only for a moment. There was no mercy where there could be no stopping.”
―
Frank Herbert
“Paul sensed his own tensions, decided to practice one of the mind-body lessons his mother had taught him. Three quick breaths triggered the responses: he fell into the floating awareness ... focusing the consciousness ... aortal dilation ... avoiding the unfocused mechanism of consciousness ... to be conscious by choice ... blood enriched and swift-flooding the overload regions ... one does not obtain food-safety-freedom by instinct alone ... animal consciousness does not extend beyond the given moment nor into the idea that its victims may become extinct ... the animal destroys and does not produce ... animal pleasures remain close to sensation levels and avoid the perceptual ... the human requires a background grid through which to see his universe ... focused consciousness by choice, this forms your grid ... bodily integrity follows nerve-blood flow according to the deepest awareness of cell needs ... all things/cells/beings are impermanent ... strive for flow-permanence within....”
―
Frank Herbert
“I observed you in pain, lad. Pain’s merely the axis of the test. Your mother’s told you about our ways of observing. I see the signs of her teaching in you. Our test is crisis and observation.”
―
Frank Herbert
“Don’t be so sure you know where to draw the line,” he said. “We carry our past with us. And, mother mine, there’s a thing you don’t know and should—we are Harkonnens.”
―
Frank Herbert
“When your opponent fears you, then’s the moment when you give the fear its own rein, give it the time to work on him. Let it become terror. The terrified man fights himself. Eventually, he attacks in desperation. That is the most dangerous moment, but the terrified man can be trusted usually to make a fatal mistake. You are being trained here to detect these mistakes and use them.”
―
Frank Herbert
“the most persistent principles of the universe were accident and error
―
Frank Herbert
“Paul sat down where Hawat had been, straightened the papers. One more day here, he thought. He looked around the room. We’re leaving. The idea of departure was suddenly more real to him than it had ever been before. He recalled another thing the old woman had said about a world being the sum of many things—the people, the dirt, the growing things, the moons, the tides, the suns—the unknown sum called nature, a vague summation without any sense of the now. And he wondered: What is the now?”
―
Frank Herbert
“Paul looked down at the hand that had known pain, and then up to the Reverend Mother. The sound of her voice contained a difference than from any other voicing his experience. The words were outlined in brilliance. There was an edge to them.”
―
Frank Herbert
“Surely not a palm lock, she told herself. A palm lock must be keyed to one individual’s hand shape and palm lines. But it looked like a palm lock. And there were ways to open any palm lock—as she had learned at school.”
―
Frank Herbert
“we can say that Muad’Dib learned rapidly because his first training was in how to learn. And the first lesson of all was the basic trust that he could learn. It is shocking to find how many people do not believe they can learn, and how many more believe learning to be difficult. Muad’Dib knew that every experience carries its lesson. —”
―
Frank Herbert
“The willow submits to the wind and prospers until one day it is many willows—a wall against the wind. This is the willow’s purpose.”
―
Frank Herbert
“There is probably no more terrible instant of enlightenment than the one in which you discover your father is a man—with human flesh.”
―
Frank Herbert
“Climb the mountain just a little bit to test that it’s a mountain. From the top of the mountain, you cannot see the mountain.”
―
Frank Herbert
“How would we flood village and city with our information? The people must learn how well I govern them. How would they know if we didn't tell them?”
―
Frank Herbert
“There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.”
―
Frank Herbert
