“If I know the way home and am walking along it drunkenly, is it any less the right way because I am staggering from side to side! ”

“Natasha was happy as she had never been in her life. She was at that highest pitch of happiness, when one becomes completely good and kind, and disbelieves in the very possibility of evil, unhappiness, and sorrow.”

“When loving with human love one may pass from love to hatred, but divine love cannot change.”

“When one's head is gone one doesn't weep over one's hair!”

“In order to carry through any undertaking in family life, there must necessarily be either complete division between the husband and wife, or loving agreement. When the relations of a couple are vacillating and neither one thing nor the other, no sort of enterprise can be undertake.

“The best stories don't come from "good vs. bad" but "good vs. good.”

“Well, pray if you like, only you'd do better to use your judgment.”

“Meanwhile spring arrived. My old dejection passed away and gave place to the unrest which spring brings with it, full of dreams and vague hopes and desires.”

“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast, neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to it. His arms grow weak and he knows that he will soon have to resign himself to the death that awaits him on either side. Yet he still clings on, and while he is holding on to the branch he looks around and sees that two mice, one black and one white, are steadily working their way round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and knows that he will inevitably perish. But while he is still hanging there he sees some drops of honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me, ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white mouse and the black mouse – day and night – are gnawing at the branch from which I am hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them. And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.

“In that brief glance Vronsky had time to notice the restrained animation that played over her face and fluttered between her shining eyes and the barely noticeable smile that curved her red lips. It was as if a surplus of something so overflowed her being that it expressed itself beyond her will, now in the brightness of her glance, now in her smile.”

“But any acquisition that doesn't correspond to the labour expended is dishonest”

“I do value my work awfully; but in reality only consider this: all this world of ours is nothing but a speck of mildew, which has grown up on a tiny planet. And for us to suppose we can have something great - ideas, work - it's all dust and ashes.”

“...the majority of men do not think in order to know the truth, but in order to assure themselves that the life which they lead, and which is agreeable and habitual to them, is the one which coincides with the truth.”

“He knew that Vronsky could not be prevented from amusing himself with painting; he knew that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to him. A man could not be prevented from making himself a big wax doll, and kissing it. But if the man were to come with the doll and sit before a man in love, and began caressing his doll as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both ludicrous and irritating, both pitiable and offensive.”

“I don't think badly of people. I like everybody, and I'm sorry for everybody.”