“To accept a little death is worse than death itself,”
―
Frank Herbert
“Mood’s a thing for cattle or for making love. You fight when the necessity arises, no matter your mood.”
―
Frank Herbert
“Paul sat back. He had used the questions and hyperawareness to do what his mother called “registering” the person. He had Kynes now—tone of voice, each detail of face and gesture.”
―
Frank Herbert
“The proper teaching is recognized with ease. You can know it without fail because it awakens within you that sensation which tells you this is something you’ve always known.”
―
Frank Herbert
“When your opponent fears you, then’s the moment when you give the fear its own rein, give it the time to work on him. Let it become terror. The terrified man fights himself. Eventually, he attacks in desperation. That is the most dangerous moment, but the terrified man can be trusted usually to make a fatal mistake. You are being trained here to detect these mistakes and use them.”
―
Frank Herbert
“It’d be bad enough without the complication of a feudal trade culture which turns its back on most science.”
―
Frank Herbert
“My son will wear the title well, the Duke thought, and realized with a sudden chill that this was another death thought.”
―
Frank Herbert
“Full moon calls thee--
Shai-hulud shall thou see;
Red the night, dusky sky,
Bloody death didst thou die.
We pray to a moon: she is round--
Luck with us will then abound,
What we seek for shall be found
In the land of solid ground.”
―
Frank Herbert
“Now, motivational patterns are going to be similar among all espionage agents. That is to say: there will be certain types of motivation that are similar despite differing schools or opposed aims. You will study first how to separate this element for your analysis—in the beginning, through interrogation patterns that betray the inner orientation of the interrogators; secondly, by close observation of language-thought orientation of those under analysis. You will find it fairly simple to determine the root languages of your subjects, of course, both through voice inflection and speech pattern.”
―
Frank Herbert
“All around the Lady Jessica—piled in corners of the Arrakeen great hall, mounded in the open spaces—stood the packaged freight of their lives: boxes, trunks, cartons, cases—some partly unpacked.”
―
Frank Herbert
“All men beneath your position covet your station,”
―
Frank Herbert
“The Duke said: “Paul, I’m doing a hateful thing, but I must.” He stood beside the portable poison snooper that had been brought into the conference room for their breakfast. The thing’s sensor arms hung limply over the table, reminding Paul of some weird insect newly dead. The Duke’s”
―
Frank Herbert
“Fino ad oggi gli uomini e le loro opere sono stati un flagello per i pianeti. La natura reagisce ai flagelli: li elimina o li assorbe per incorporarli nel suo sistema.”
―
Frank Herbert
“Whirling silence settled around Jessica. Every fiber of her body accepted the fact that something profound had happened to it. She felt that she was a conscious mote, smaller than any subatomic particle, yet capable of motion and of sensing her surroundings. Like an abrupt revelation—the curtains whipped away—she realized she had become aware of a psychokinesthetic extension of herself. She was the mote, yet not the mote.”
―
Frank Herbert
