“There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.”
―
Frank Herbert
“Paul sat down where Hawat had been, straightened the papers. One more day here, he thought. He looked around the room. We’re leaving. The idea of departure was suddenly more real to him than it had ever been before. He recalled another thing the old woman had said about a world being the sum of many things—the people, the dirt, the growing things, the moons, the tides, the suns—the unknown sum called nature, a vague summation without any sense of the now. And he wondered: What is the now?”
―
Frank Herbert
“Ah, Hah! But you see, Baron, I know as a Mentat when you will send the executioner. You will hold back just so long as I am useful. To move sooner would be wasteful and I'm yet of much use. I know what it is you learned from that lovely Dune planet - waste not? True, Baron?
―
Frank Herbert
“The tribal commander must lose no face among those who should obey him. Paul”
―
Frank Herbert
“Paul took a place in the line behind Chani. He had put down the black feeling at being caught by the girl. In his mind now was the memory called up by his mother’s barked reminder: “My son’s been tested with the gom jabbar!” He found that his hand tingled with remembered pain.”
―
Frank Herbert
“Color streamed into a toe of darkness testing the sand.”
―
Frank Herbert
“Jessica stopped beside him: ‘What delicious abandon in the sleep of a child.’
He spoke mechanically: ‘If only adults could relax like that.’
‘Yes.’
‘When do we lose it?’ He murmured…
‘We do indeed lose something,’ she said.”
―
Frank Herbert
“What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood's a thing for cattle or making love or playing the baliset. It's not for fighting.”
―
Frank Herbert
“they’d chosen always the clear, safe course that leads ever downward into stagnation.”
―
Frank Herbert
“I'm the well-trained fruit tree. Full of well-trained feelings and abilities and all of them grafted onto me”
―
Frank Herbert
“Maud’Dib could indeed, see the Future, but you must understand the limits of this power. Think of sight. You have eyes, yet cannot see without light. If you are on the floor of a valley, you cannot see beyond the valley. Just so, Maud’Dib could not always choose to look across the mysterious terrain. He tells us that a single obscure decision of prophecy, perhaps the choice of one word over another, could change the entire aspect of the future. He tells us “The vision of time is broad, but when you pass through it, time becomes a narrow door.” And always, he fought the temptation to choose a clear, safe course, warning “That path leads ever down into stagnation.”
―
Frank Herbert
“He doesn’t appear much, does he—one frightened old fat man too weak to support his own flesh without the help of suspensors.”
―
Frank Herbert
“Once men turned their thinking over to machines in the hope that this would set them free. But that only permitted other men with machines to enslave them.”
―
Frank Herbert
