“What a dolt my father sends me for weaponry,” Paul intoned. “This doltish Gurney Halleck has forgotten the first lesson for a fighting man armed and shielded.” Paul snapped the force button at his waist, felt the crinkled-skin tingling of the defensive field at his forehead and down his back, heard external sounds take on characteristic shield-filtered flatness. “In shield fighting, one moves fast on defense, slow on attack,” Paul said. “Attack has the sole purpose of tricking the opponent into a misstep, setting him up for the attack sinister. The shield turns the fast blow, admits the slow kindjal!” Paul snapped up the rapier, feinted fast and whipped it back for a slow thrust timed to enter a shield’s mindless defenses.”
―
Frank Herbert
“Sometimes I wonder about Piter," the Baron said. "I cause pain out of necessity, but he...I swear he takes a positive delight in it."
―
Frank Herbert
“Mood?” Halleck’s voice betrayed his outrage even through the shield’s filtering. “What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood’s a thing for cattle or making love or playing the baliset. It’s not for fighting.”
―
Frank Herbert
“To the east, the night grew a faggot of luminous grey, then seashell opalescence that dimmed the stars. There came the long, bell-tolling movement of dawn striking across a broken horizon.”
―
Frank Herbert
“Even an Emperor may tremble before Muad’Dib, for he has the strength of righteousness and heaven smiles upon him.”
―
Frank Herbert
“No more terrible disaster could befall your people than for them to fall into the hands of a Hero”
―
Frank Herbert
“Surely not a palm lock, she told herself. A palm lock must be keyed to one individual’s hand shape and palm lines. But it looked like a palm lock. And there were ways to open any palm lock—as she had learned at school.”
―
Frank Herbert
“The meeting between ignorance and knowledge, between brutality and culture—it begins in the dignity with which we treat our dead.”
―
Frank Herbert
“Now, motivational patterns are going to be similar among all espionage agents. That is to say: there will be certain types of motivation that are similar despite differing schools or opposed aims. You will study first how to separate this element for your analysis—in the beginning, through interrogation patterns that betray the inner orientation of the interrogators; secondly, by close observation of language-thought orientation of those under analysis. You will find it fairly simple to determine the root languages of your subjects, of course, both through voice inflection and speech pattern.”
―
Frank Herbert
“Arrakis teaches the attitude of the knife—chopping off what’s incomplete and saying: “Now, it’s complete because it’s ended here.”
―
Frank Herbert
“Sad? Nonsense! Parting with friends is a sadness. A place is only a place.” He glanced at the charts on the table. “And Arrakis is just another place.”
―
Frank Herbert
“There's an internally recognized beauty of motion and balance on any man-healthy planet,' Kynes said. 'You see in this beauty a dynamic stabilizing effect essential to all life. It's aim is simple: to maintain and produce coordinated patterns of greater and greater diversity. Life improves the closed system's capacity to sustain life. Life - all life - is in the service of life. Necessary nutrients are made available to life by life in greater and greater richness as the diversity of life increases. The entire landscape comes alive, filled with relationships and relationships within relationships.”
―
Frank Herbert
“And the price we paid was the price men have always paid for achieving a paradise in this life—we went soft, we lost our edge.”
―
Frank Herbert
