“Whirling silence settled around Jessica. Every fiber of her body accepted the fact that something profound had happened to it. She felt that she was a conscious mote, smaller than any subatomic particle, yet capable of motion and of sensing her surroundings. Like an abrupt revelation—the curtains whipped away—she realized she had become aware of a psychokinesthetic extension of herself. She was the mote, yet not the mote.”

Frank Herbert

“Come, come," the Baron said. "We don't have much time and pain is quick. Please don't bring it to this, my dear Duke." The Baron looked up at Piter who stood at Leto's shoulder. "Piter doesn't have all his tools here, but I'm sure he could improvise." "Improvisation is sometimes the best, Baron.”

Frank Herbert

“The eye that looks ahead to the safe course is closed forever.”

Frank Herbert

“Mankind has only one science… its the science of discontent.”

Frank Herbert

“I observed you in pain, lad. Pain’s merely the axis of the test. Your mother’s told you about our ways of observing. I see the signs of her teaching in you. Our test is crisis and observation.”

Frank Herbert

“When your opponent fears you, then’s the moment when you give the fear its own rein, give it the time to work on him. Let it become terror. The terrified man fights himself. Eventually, he attacks in desperation. That is the most dangerous moment, but the terrified man can be trusted usually to make a fatal mistake. You are being trained here to detect these mistakes and use them.”

Frank Herbert

“For a moment, the sensation of coolness and the moisture were blessed relief. Then, as his planet killed him, it occurred to Kynes that his father and all the other scientists were wrong, that the most persistent principles of the universe were accident and error.”

Frank Herbert

“What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood's a thing for cattle or making love or playing the baliset. It's not for fighting.”

Frank Herbert

“You never talk of likelihoods on Arrakis. You speak only of possibilities.”

Frank Herbert

“How do you call among you the little mouse, the mouse that jumps?” Paul asked, remembering the pop-hop of motion at Tuono Basin. He illustrated with one hand. A chuckle sounded through the troop. “We call that one muad’dib,” Stilgar said. Jessica”

Frank Herbert

“Do you wrestle with dreams? Do you contend with shadows? Do you move in a kind of sleep? Time has slipped away. Your life is stolen. You tarried with trifles, Victim of your folly.”

Frank Herbert

“The night is a tunnel, she thought, a hole into tomorrow...”

Frank Herbert

“What delicious abandon in the sleep of the child. Where do we lose it?”

Frank Herbert

“Now, motivational patterns are going to be similar among all espionage agents. That is to say: there will be certain types of motivation that are similar despite differing schools or opposed aims. You will study first how to separate this element for your analysis—in the beginning, through interrogation patterns that betray the inner orientation of the interrogators; secondly, by close observation of language-thought orientation of those under analysis. You will find it fairly simple to determine the root languages of your subjects, of course, both through voice inflection and speech pattern.”

Frank Herbert

“A man's flesh is his own; the water belongs to the tribe.”

Frank Herbert


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