“Then you should just go take one,” Hawat sneered. “Yes,” the Fremen said. “We took one. We have it hidden where Stilgar can study it for Liet and where Liet can see it for himself if he wishes. But I doubt he’ll want to: the weapon is not a very good one. Poor design for Arrakis.” “You…took one?” Hawat asked. “It was a good fight,” the Fremen said. “We lost only two men and spilled the water from more than a hundred of theirs.” There were Sardaukar at every gun, Hawat thought. This desert madman speaks casually of losing only two men against Sardaukar!”
―
Frank Herbert
“Now, motivational patterns are going to be similar among all espionage agents. That is to say: there will be certain types of motivation that are similar despite differing schools or opposed aims. You will study first how to separate this element for your analysis—in the beginning, through interrogation patterns that betray the inner orientation of the interrogators; secondly, by close observation of language-thought orientation of those under analysis. You will find it fairly simple to determine the root languages of your subjects, of course, both through voice inflection and speech pattern.”
―
Frank Herbert
“Power and fear," he said. "The tools of statecraft.”
―
Frank Herbert
“Yes. They’ll call me…Muad’Dib, ‘The One Who Points the Way.’ Yes…that’s what they’ll call me.”
―
Frank Herbert
“The tribal commander must lose no face among those who should obey him. Paul”
―
Frank Herbert
“Whirling silence settled around Jessica. Every fiber of her body accepted the fact that something profound had happened to it. She felt that she was a conscious mote, smaller than any subatomic particle, yet capable of motion and of sensing her surroundings. Like an abrupt revelation—the curtains whipped away—she realized she had become aware of a psychokinesthetic extension of herself. She was the mote, yet not the mote.”
―
Frank Herbert
“Can you remember your first taste of spice?” “It tasted like cinnamon.”
―
Frank Herbert
“I am like a person whose hands were kept numb, without sensation from the first moment of awareness - until one day the ability to feel is forced into them. And I say "Look! I have no hands!" But the people all around me say: "What are hands?”
―
Frank Herbert
“Color streamed into a toe of darkness testing the sand.”
―
Frank Herbert
“You never talk of likelihoods on Arrakis. You speak only of possibilities.”
―
Frank Herbert
“Grave this on your memory, lad: A world is supported by four things..." she held up four big-knuckled fingers. "...the learning of the wise, the justice of the great, the prayers of the righteous and the valor of the brave. But all of these things are as nothing..." She closed her fingers into a fist. "...without a ruler who knows the art of ruling. Make that the science of your tradition!”
―
Frank Herbert
“That which makes a man superhuman is terrifying.”
―
Frank Herbert
“A ruler must learn to persuade and not to compel.”
―
Frank Herbert
“There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.”
―
Frank Herbert
“Mood’s a thing for cattle or for making love. You fight when the necessity arises, no matter your mood.”
―
Frank Herbert
