“I guess I’m not in the mood for it today,” Paul said. “Mood?” Halleck’s voice betrayed his outrage even through the shield’s filtering. “What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood’s a thing for cattle or making love or playing the baliset. It’s not for fighting.”
―
Frank Herbert
“He was warrior and mystic, ogre and saint, the fox and the innocent, chivalrous, ruthless, less than a god, more than a man.”
―
Frank Herbert
“Sometimes I wonder about Piter," the Baron said. "I cause pain out of necessity, but he...I swear he takes a positive delight in it."
―
Frank Herbert
“Arrakis teaches the attitude of the knife—chopping off what’s incomplete and saying: “Now, it’s complete because it’s ended here.”
―
Frank Herbert
“For a moment, the sensation of coolness and the moisture were blessed relief. Then, as his planet killed him, it occurred to Kynes that his father and all the other scientists were wrong, that the most persistent principles of the universe were accident and error.”
―
Frank Herbert
“Do not make the error of considering my son a child,” the Duke said. And he smiled.”
―
Frank Herbert
“He passed off the loss of a spice crawler with a gesture. The threat to men’s lives had him in a rage. A leader such as that would command fanatic loyalty. He would be difficult to defeat.”
―
Frank Herbert
“They’d never known anything but victory which, Paul realized, could be a weakness in itself. He put that thought aside for later consideration in his own training program.”
―
Frank Herbert
“As long as my Duke remains unmarried some of the Great Houses can still hope for alliance.”
―
Frank Herbert
“I’m the well-trained fruit tree, he thought. Full of well-trained feelings and abilities and all of them grafted onto me—all bearing for someone else to pick.”
―
Frank Herbert
“Now, motivational patterns are going to be similar among all espionage agents. That is to say: there will be certain types of motivation that are similar despite differing schools or opposed aims. You will study first how to separate this element for your analysis—in the beginning, through interrogation patterns that betray the inner orientation of the interrogators; secondly, by close observation of language-thought orientation of those under analysis. You will find it fairly simple to determine the root languages of your subjects, of course, both through voice inflection and speech pattern.”
―
Frank Herbert
“I observed you in pain, lad. Pain’s merely the axis of the test. Your mother’s told you about our ways of observing. I see the signs of her teaching in you. Our test is crisis and observation.”
―
Frank Herbert
“For the others, we can say that Muad’Dib learned rapidly because his first training was in how to learn. And the first lesson of all was the basic trust that he could learn. It is shocking to find how many people do not believe they can learn, and how many more believe learning to be difficult. Muad’Dib knew that every experience carries its lesson. —”
―
Frank Herbert
“The Reverend Mother must combine the seductive wiles of a courtesan with the untouchable majesty of a virgin goddess, holding these attributes in tension so long as the powers of her youth endure. For when youth and beauty have gone, she will find that the place-between, once occupied by tension, has become a wellspring of cunning and resourcefulness.”
―
Frank Herbert