“No tengo miedo. El miedo mata a la mente. El miedo es la pequeña muerte que conduce a la destrucción total. Afrontaré mi miedo. Permitiré que pase sobre mí y a través de mí. Y cuando haya pasado, giraré mi ojo interior para escrutar su camino.”

Frank Herbert

“Leto turned a hard stare at Kynes.  And Kynes, returning the stare, found himself troubled by a fact he had observed here: This Duke was concerned more over the men than he was over the spice. He risked his own life, and that of his son to save the men. He passed off the loss of a spice crawler with a gesture. The threat to men's lives had him in a rage. A leader such as that would command fanatic loyalty. He would be difficult to defeat. Against his own will and all previous judgements, Kynes admitted to himself: I like this Duke.”

Frank Herbert

“I observed you in pain, lad. Pain’s merely the axis of the test. Your mother’s told you about our ways of observing. I see the signs of her teaching in you. Our test is crisis and observation.”

Frank Herbert

“And that day dawned when Arrakis lay at the hub of the universe with the wheel poised to spin.”

Frank Herbert

“There is no measuring Muad'Dib's motives by ordinary standards. In the moment of his triumph, he saw the death prepared for him, yet he accepted the treachery. Can you say he did this out of a sense of justice? Whose justice, then? Remember, we speak now of the Muad'Dib who ordered battle drums made from his enemies' skins, the Muad'Dib who denied the conventions of his ducal past with a wave of the hand, saying merely: 'I am the Kwisatz Haderach. That is reason enough.”

Frank Herbert

“The day the flesh shapes and the flesh the day shapes.”

Frank Herbert

“Fate was sometimes inscrutable.”

Frank Herbert

“The willow submits to the wind and prospers until one day it is many willows—a wall against the wind. This is the willow’s purpose.”

Frank Herbert

“Then, as his planet killed him, it occurred to Kynes that his father and all the other scientists were wrong, that the most persistent principles of the universe were accident and error.”

Frank Herbert

“hold at your neck the gom jabbar,” she said. “The gom jabbar, the high-handed enemy. It’s a needle with a drop of poison on its tip. Ah-ah! Don’t pull away or you’ll feel that poison.”

Frank Herbert

“Yes. They’ll call me…Muad’Dib, ‘The One Who Points the Way.’ Yes…that’s what they’ll call me.”

Frank Herbert

“Three quick breaths triggered the responses: he fell into the floating awareness... focusing the consciousness... aortal dilation... avoiding the unfocused mechanism of consciousness... to be conscious by choice... blood enriched and swift-flooding the overload regions... one does not obtain food-safety freedom by instinct alone... animal consciousness does not extend beyond the given moment nor into the idea that its victims may become extinct... the animal destroys and does not produce... animal pleasures remain close to sensation levels and avoid the perceptual... the human requires a background grid through which to see his universe... focused consciousness by choice, this forms your grid... bodily integrity follows nerve-blood flow according to the deepest awareness of cell needs... all things/cells/beings are impermanent... strive for flow-permanence within...”

Frank Herbert

“Greatness is a transitory experience. It is never consistent. It depends in part upon the myth-making imagination of humankind. The person who experiences greatness must have a feeling for the myth he is in. He must reflect what is projected upon him. And he must have a strong sense of the sardonic. This is what uncouples him from belief in his own pretensions. The sardonic is all that permits him to move within himself. Without this quality, even occasional greatness will destroy a man.”

Frank Herbert

“Give as few orders as possible," his father had told him once long ago. "Once you've given orders on a subject, you must always give orders on that subject.”

Frank Herbert

“He looked, from behind, like a fleshless stick figure in overlarge black clothing, a caricature poised for stringy movement at the direction of a puppet master.

Frank Herbert


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