Beyond a critical point within a finite space, freedom diminishes as numbers increase. This is as true of humans in the finite space of a planetary ecosystem as it is of gas molecules in a sealed flask. The human question is not how many can possibly survive within the system, but what kind of existence is possible for those who do survive.   —Pardot”

Frank Herbert

“She’s the One all right,” she muttered. “Poor thing.”

Frank Herbert

“Pain,” she sniffed. “A human can override any nerve in the body.”

Frank Herbert

“What have we here—jinn or human?”

Frank Herbert

“Science is made up of so many things that appear obvious after they are explained.”

Frank Herbert

“The Harkonnens discouraged investigation of the spice, didn’t they?”

Frank Herbert

“Fino ad oggi gli uomini e le loro opere sono stati un flagello per i pianeti. La natura reagisce ai flagelli: li elimina o li assorbe per incorporarli nel suo sistema.”

Frank Herbert

“At the age of fifteen, he had already learned silence.”

Frank Herbert

“Sometimes I wonder about Piter," the Baron said. "I cause pain out of necessity, but he...I swear he takes a positive delight in it."

Frank Herbert

“The Fremen were supreme in that quality the ancients called “spannungsbogen”—which is the self-imposed delay between desire for a thing and the act of reaching out to grasp that thing.”

Frank Herbert

“Paul took a place in the line behind Chani. He had put down the black feeling at being caught by the girl. In his mind now was the memory called up by his mother’s barked reminder: “My son’s been tested with the gom jabbar!” He found that his hand tingled with remembered pain.”

Frank Herbert

“Muad’Dib: “If a child, an untrained person, an ignorant person, or an insane person incites trouble, it is the fault of authority for not predicting and preventing that trouble. ” O.C.”

Frank Herbert

“A stone is heavy and the sand is weighty; but a fool's wrath is heavier than them both.”

Frank Herbert

“Arrakis makes us moral and ethical.”

Frank Herbert

“There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.”

Frank Herbert


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