“Cobbles and kettledrums! ...I hope this madness isn't going to end in a moonlit climb and broken necks.”

“One of the most cowardly things ordinary people do is to shut their eyes to facts.”

“Every joy is beyond all others.”

“The sane would do no good if they made themselves mad to help madmen.”

“Giant Wimbleweather burst into one of those not very intelligent laughs to which the nicer sort of Giants are so liable. He checked himself at once and looked as grace as a turnip by the time Reepicheep discovered where the noise came from.”

“I am struck here by the curious mixture of justice and injustice in our lives. We are blamed for our real faults but usually not on the right occasions.”

“She did not shut it properly because she knew that it is very silly to shut oneself into a wardrobe, even if it is not a magic one.”

“In our world," said Eustace, "a star is a huge ball of flaming gas." Even in your world, my son, that is not what a star is, but only what it is made of.”

“The distinction between pretending you are better than you are and beginning to be better in reality is finer than moral sleuth hounds conceive.”

“Courage is not simply one of the virtues but the form of every virtue at the testing point, which means at the point of highest reality. ”

“God is no fonder of intellectual slackers than He is of any other slacker.”

“Now God, who has made us, knows what we are and that our happiness lies in Him.”

“No one ever told me that grief felt so like fear. I am not afraid, but the sensation is like being afraid. The same fluttering in the stomach, the same restlessness, the yawning. I keep on swallowing. At other times it feels like being mildly drunk, or concussed. There is a sort of invisible blanket between the world and me. I find it hard to take in what anyone says. Or perhaps, hard to want to take it in. It is so uninteresting. Yet I want the others to be about me. I dread the moments when the house is empty. If only they would talk to one another and not to me.”

“I do not think there is a demonstrative proof (like Euclid) of Christianity, nor of the existence of matter, nor of the good will and honesty of my best and oldest friends. I think all three are (except perhaps the second) far more probable than the alternatives. The case for Christianity in general is well given by Chesterton…As to why God doesn't make it demonstratively clear; are we sure that He is even interested in the kind of Theism which would be a compelled logical assent to a conclusive argument? Are we interested in it in personal matters? I demand from my friend trust in my good faith which is certain without demonstrative proof. It wouldn't be confidence at all if he waited for rigorous proof. Hang it all, the very fairy-tales embody the truth. Othello believed in Desdemona's innocence when it was proved: but that was too late. Lear believed in Cordelia's love when it was proved: but that was too late. 'His praise is lost who stays till all commend.' The magnanimity, the generosity which will trust on a reasonable probability, is required of us. But supposing one believed and was wrong after all? Why, then you would have paid the universe a compliment it doesn't deserve. Your error would even so be more interesting and important than the reality. And yet how could that be? How could an idiotic universe have produced creatures whose mere dreams are so much stronger, better, subtler than itself?”

“It is as hard to explain how this sunlit land was different from the old Narnia as it would be to tell you how the fruits of that country taste. Perhaps you will get some idea of it if you think like this. You may have been in a room in which there was a window that looked out on a lovely bay of the sea or a green valley that wound away among mountains. And in the wall of that room opposite to the window there may have been a looking-glass. And as you turned away from the window you suddenly caught sight of that sea or that valley, all over again, in the looking glass. And the sea in the mirror, or the valley in the mirror, were in one sense just the same as the real ones: yet at the same time they were somehow different - deeper, more wonderful, more like places in a story: in a story you have never heard but very much want to know. The difference between the old Narnia and the new Narnia was like that. The new one was a deeper country: every rock and flower and blade of grass looked as if it meant more.”