“When the author walks onto the stage, the play is over”

“Here at last is the thing I was made for.”

“Thomas Aquinas said of suffering, as Aristotle had said of shame, that it was a thing not good in itself; but a thing which might have a certain goodness in particular circumstances. That is to say, if evil is present, pain at recognition of the evil, being a kind of knowledge, is relatively good.”

“She stepped out from among their shifting confusion of lovely lights and shadows. A circle of grass, smooth as a lawn, met her eyes, with dark trees dancing all around it. And then --Oh Joy! For he was there: the huge Lion, shining white in the moonlight, with his huge black shadow underneath him.”

“You cannot go on 'explaining away' for ever: you will find that you have explained explanation itself away. You cannot go on 'seeing through' things for ever. The whole point of seeing through something is to see something through it.”

“Nonsense remains nonsense even when we talk it about God.”

“Suppose one reads a story of filthy atrocities in the paper. Then suppose that something turns up suggesting that the story might not be quite true, or not quite so bad as it was made out. Is one's first feeling, 'Thank God, even they aren't quite so bad as that,' or is it a feeling of disappointment, and even a determination to cling to the first story for the sheer pleasure of thinking your enemies are as bad as possible? If it is the second then it is, I am afraid, the first step in a process which, if followed to the end, will make us into devils. You see, one is beginning to wish that black was a little blacker. If we give that wish its head, later on we shall wish to see grey as black, and then to see white itself as black. Finally we shall insist on seeing everything -- God and our friends and ourselves included -- as bad, and not be able to stop doing it: we shall be fixed for ever in a universe of pure hatred.”

“The real test of being in the presence of God is, that you either forget about yourself altogether or see yourself as a small, dirty object.”

“We hear a great deal about the rudeness of the ris-  ing generation. I am an oldster myself and might be  expected to take the oldsters' side, but in fact I have  been far more impressed by the bad manners of par-  ents to children than by those of children to parents.  Who has not been the embarrassed guest at family  meals where the father or mother treated their  grown-up offspring with an incivility which, offered  to any other young people, would simply have termi-  nated the acquaintance? Dogmatic assertions on mat-  ters which the children understand and their elders  don't, ruthless interruptions, flat contradictions,  ridicule of things the young take seriously some-  times of their religion insulting references to their  friends, all provide an easy answer to the question  "Why are they always out? Why do they like every  house better than their home?" Who does not prefer  civility to barbarism?”

“God created things which had free will. That means creatures which can go wrong or right. Some people think they can imagine a creature which was free but had no possibility of going wrong, but I can't. If a thing is free to be good it's also free to be bad. And free will is what has made evil possible. Why, then, did God give them free will? Because free will, though it makes evil possible, is also the only thing that makes possible any love or goodness or joy worth having. A world of automata -of creatures that worked like machines- would hardly be worth creating. The happiness which God designs for His higher creatures is the happiness of being freely, voluntarily united to Him and to each other in an ecstasy of love and delight compared with which the most rapturous love between a man and a woman on this earth is mere milk and water. And for that they've got to be free. Of course God knew what would happen if they used their freedom the wrong way: apparently, He thought it worth the risk. (...) If God thinks this state of war in the universe a price worth paying for free will -that is, for making a real world in which creatures can do real good or harm and something of real importance can happen, instead of a toy world which only moves when He pulls the strings- then we may take it it is worth paying.”

“I think you've seen Aslan," said Edmund. "Aslan!" said Eustace. "I've heard that name mentioned several times since we joined the Dawn Treader. And I felt - I don't know what - I hated it. But I was hating everything then. And by the way, I'd like to apologise. I'm afraid I've been pretty beastly." "That's all right," said Edmund. "Between ourselves, you haven't been as bad as I was on my first trip to Narnia. You were only an ass, but I was a traitor." "Well, don't tell me about it, then," said Eustace. "But who is Aslan? Do you know him?" "Well - he knows me," said Edmund. "He is the great Lion, the son of the Emperor-beyond-the-Sea, who saved me and saved Narnia. We've all seen him. Lucy sees him most often. And it may be Aslan's country we are sailing to.”

“And grief still feels like fear. Perhaps, more strictly, like suspense. Or like waiting; just hanging about waiting for something to happen. It gives life a permanently provisional feeling. It doesn't seem worth starting anything. I can't settle down. I yawn, fidget, I smoke too much. Up till this I always had too little time. Now there is nothing but time. Almost pure time, empty successiveness.”

“The use of fashions in thought is to distract men from their real dangers. We direct the fashionable outcry of each generation against those vices of which it is in the least danger, and fix its approval on the virtue that is nearest the vice which we are trying to make endemic. The game is to have them all running around with fire extinguishers whenever there’s a flood; and all crowding to that side of the boat which is already nearly gone under.”

“As Venus within Eros does not really aim at pleasure, so Eros does not aim at happiness. We may think he does, but when he is brought to the test it proves otherwise... For it is the very mark of Eros that when he is in us we had rather share unhappiness with the Beloved than be happy on any other terms.”

“There are no ordinary people. You have never talked to a mere mortal. Nations, cultures, arts, civilizations - these are mortal, and their life is to ours as the life of a gnat. But it is immortals whom we joke with, work with, marry, snub and exploit - immortal horrors or everlasting splendors. This does not mean that we are to be perpetually solemn. We must play. But our merriment must be of that kind (and it is, in fact, the merriest kind) which exists between people who have, from the outset, taken each other seriously - no flippancy, no superiority, no presumption.”